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This is the rating and price for Willem Boshoff; South African 1951-; About Face, dyptich by Willem Boshoff


 Online
Willem Boshoff born in 1951
About the lot N° 72
Willem Boshoff; South African 1951-; About Face, dyptich ,2015
Medium: superwood on plywood
Size : 214 by 105cm excluding frame; 219 by 106 by 7cm including frame
Edition:
Signature:
Estimate (low-high) : 200000 ZAR-300000 ZAR It's free to register now to view!
Strauss & Co, auctioneer It's free to register now to view!

Sale Title : Woordfees Benefit Auction - Session One It's free to register now to view!
Sale date : 12 Oct 2023 It's free to register now to view!
Sale Reference : 4QPBLRLKTX Online sale

Provenance :
Exhibited :
Literature :
Notes : Willem Boshoff is a conceptual artist, fascinated by language and words. Boshoff grew up in Vanderbijlpark, working with wood under the supervision of his carpenter father where he developed a respect for technical expertise and a deep love for wood. Boshoff has a great fascination with language, he remains a conservationist of plants and language. About Face is a diptych of carved text creating a mirroring effect in the left and right panels, reversing the text in the left to create new words in the right. In About Face English vocabulary is used. A similar work, Mutatis Mutandis, was exhibited as part of Boshoff's retrospective exhibition Word Woes, from March 2021 to January 2022, at the Javett Art Centre in Pretoria. Mutatis Mutandis is designed in the same format as these works, but with the left panel in English, and the right in Afrikaans. Boshoff uses these sort of word games throughout his work, challenging the audience's notion of language, driving home the point that written language is merely an arrangement of letters, and the meaning of the text lies entirely within the mind of the viewer. Rated, Devil, Eve, Edit, Knits and Eros reversed becomes Sore, Stink, Tide, Eve, Lived and Detar. There is both truth and absurdity to these works, as Boshoff draws attention to the relativity of communication, and the creation and context of meaning, while simultaneously executing the physical making of the wooden sculptural work with a practiced eloquence.
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