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A diptych artwork by Matthew Hindley featuring vibrant colors and abstract forms, titled 'Diamond Diamond, Shinin' Shinin'.

Matthew Hindley, born in 1974

Matthew Hindley is a South African artist born in 1974, known for his intense and poetic paintings. His work delves deep into themes inspired by African mythology and contemporary experiences, showcasing a unique style that resonates with audiences.

Hindley has made a significant impact in the art world through both solo and group exhibitions. Notably, he has held a solo show at the SILO hotel Vault Gallery in Cape Town. His work has also been featured in prestigious group exhibitions, including the Eli and Edythe Broad Museum in Michigan, the Kochi Muziris Biennale in India, and the imago mundi, Benetton Collection at the Venice Biennale. In 2014, he created a series of paintings inspired by the mythological tales of South African writer Don Mattera.

His artwork is part of the public collection at the South African National Gallery, adding to his prominence in the art community. Hindley is recognized for his contributions to the contemporary art scene and continues to be a significant figure for collectors and art enthusiasts alike.

Give Me A Sign

Show Me How You Want It To Be

Human Anatomy

Family Tree

Pieter

Matthew Hindley (South African 1974-) The Room 2010 Signed And Dated 2010 On The Reverse Oil On Canvas 100 By 100Cm Illustrated

Why Do Evil Men Get Away With It

To Lose All My Senses - That Is Just So Typically Me

Experience Etc

Untitled, Three

Locked Out

Black Gold

Sunflower

Black Gold

Ruin Lust I

#Fireball In Nocturnal Night (Sic)

Seascape

Matthew Hindley (South Africa 1974-), #Fireball In Nocturnal Night (Sic)

Resurrection I

Resurrection Iii

Figures In The Ocean

The Impossibility Of Death In The Mind Of Someone Living Iii

Matthew Hindley, The Impossibility Of Death In The Mind Of Someone Living, Iv

Matthew Hindley; South African 1974-; Lavinia'S Voice Iii

Lavinia'S Voice Iii

The Raft, The Five Magic Pebbles Series

One Pearl Of Great Price

The Hour Of Lead

Matthew Hindley (South Africa 1974-), The Hour Of Lead

The Room

The Having To Love Something Else

Kill The Lights

Emotive oil painting depicting a figure in distress on a yellow cushion, with a shadowy presence and a white dove.

Kalypso

This striking oil on canvas artwork portrays a figure lying on a yellow cushion, evoking a sense of vulnerability and despair. The background features a shadowy figure, adding to the emotional tension. A white dove contrasts with the darker elements, symbolizing hope amidst turmoil. The composition utilizes a muted color palette with splashes of red and green, enhancing the mood of the piece.

Pieter (Portrait Of Pieter Hugo)

Wine Maketh Merry, But Money Answerth All Things

Before My Time

Xxx Fu X

Matthew Hindley (South African 20Th Century) Killing Time Signed, Dated 2006 And Inscribed With The Title On The Reverse Oil On Canvas Oval: 130 By 100Cm * Condition Report Available Illustrated

Surreal oil painting depicting a woman in a blue dress surrounded by whimsical trees and a vibrant sky.

Human Nature

A surreal oil painting featuring a central figure of a woman in a flowing blue dress, set against a vivid blue sky filled with clouds and falling rain. Whimsical trees and a fountain add to the dreamlike quality, while fireworks and a distant house create a sense of celebration and mystery. The composition blends elements of fantasy with a playful yet introspective mood.

Madonna Of The Sweet Pea

In 'Madonna of the Sweet Pea,' Matthew Hindley presents a captivating oil on canvas artwork that likely depicts a serene figure, reminiscent of the Madonna, enveloped by lush greenery and delicate sweet pea flowers. A snake weaves through the composition, adding an intriguing element to the scene. The painting, measuring 60 by 50cm, showcases Hindley's unique style and connection to South African artistry.

Flowers, Chocolate, Heart, Three

Kitty, Kitty, Whoa!

Kids On Holiday

Matthew Hindley (20Th Century) Feelings Signed And Dated 04 Mixed Media On Paper 70 By 100Cm Donated By The Artist. He Has Exhibited In Numerous Solo And Group Shows In South Africa, Usa, France, Germany, And Holland. Awards: 1994, Irma Stern Prize, 2002, Distinction In Painting, 2002, Simon Gershin Prize, 2002, Painting Class Medal, 2002 Michaelis Prize For Top Student. Commissions: 2003, Public Art For Permanent Outdoor Display At The South African National Gallery.

Shipwreck 1815

Mother And Child

Come Running

Untitled (Bromance Study 1)

Oil painting depicting two men in a lush, green landscape, one seated with a flower, the other standing.

Bromance

A vibrant oil painting featuring two men in a verdant setting. One man sits with a flower, embodying a sense of introspection, while the other stands nearby, exuding confidence. The lush foliage and soft light create a serene atmosphere, highlighting themes of connection and nature. The composition blends realism with a dreamlike quality, inviting viewers to explore the emotional depth of the scene.

A vibrant oil painting featuring abstract clouds and figural elements, evoking a sense of nature and introspection.

Scentless Apprentice

This oil on canvas artwork titled 'Scentless Apprentice' by South African artist Matthew Hindley showcases a dynamic interplay of abstract clouds and figural forms. The piece, measuring 130 by 130 cm, captures the essence of nature through its colorful representation of plants and a snake, inviting viewers to explore themes of identity and environment.

Pinki

Experience Etc

Oh, Stevie-Oh

Kitty, Kitty, Whoa!

Matthew Hindley's 'Kitty, Kitty, Whoa!' is a lively mixed media artwork on canvas, likely showcasing whimsical and colorful representations of cats. The piece, measuring 130.5 by 130 cm, invites viewers into a playful and imaginative world, possibly incorporating various textures and techniques to enhance its visual appeal.

Matthew Hindley; South African 1974-; Kitty, Kitty, Whoa!

Matthew Hindley (South Africa 1974-2025) , The Divided Self

Matthew Hindley; South African 1974-; Abstract Composition

Matthew Hindley, The Grace Of The Witch

Matthew Hindley (South African B. 1974)

A large abstract seascape painting by Matthew Hindley, featuring dynamic brush strokes and a vibrant color palette.

Matthew Hindley - #Seascape

This artwork titled '#Seascape' by Matthew Hindley showcases a large abstract representation of the sea, created with oil and oilstick on canvas. The piece, measuring 190 by 210 cm, likely features bold colors and expressive brushwork, capturing the essence of the ocean's movement and energy.

8X10 Black And White Photo Which Is Hand Signed In Black Ink...Slight Crease To The Left Of The Signature Otherwise Fine Condition.....George Emlyn Williams, Cbe (26 November 1905 – 25 September 1987), Known As Emlyn Williams, Was A Welsh Dramatist And Actor....His First Full-Length Play, Full Moon, Was Premiered At The Original Oxford Playhouse In 1927, The Year He Joined A Repertory Company And Began His Stage Career. By 1930, He Had Expanded His Writing With Works Such As A Murder Has Been Arranged And The Late Christopher Bean. He Became An Overnight Star, However, With His Thriller Night Must Fall (1935), In Which He Also Played The Lead Role Of A Psychopathic Murderer. The Play Was Noted For Its Exploration Of The Killer'S Complex Psychological State, A Step Forward For Its Genre. It Was Made Into A Film In 1937 With Robert Montgomery, And Again In 1964 With Albert Finney. It Has Been Frequently Revived, Including On Broadway In 1999 With Matthew Broderick And Most Recently In The West End With Jason Donovan. His Other Great Play Was Very Different: The Corn Is Green (1938), Partly Based On His Own Childhood In Wales. He Starred As A Welsh Schoolboy In The Play'S London Premiere. The Play Came To Broadway In 1940 With Ethel Barrymore As The Schoolteacher Miss Moffat, A Character Modelled Closely On Williams'S Real Boyhood Schoolteacher, Miss Sarah Grace Cooke. A 1950 Broadway Revival Starred Eva La Gallienne. The Play Was Turned Into A Film Starring Bette Davis, And Again Into A Made-For-Television Film Starring Katharine Hepburn, Under The Direction Of Williams'S Close Friend George Cukor. An Attempt To Turn The Play Into A Musical In The 1970S, With Davis Again In The Role Of The Schoolteacher With Lyrics By Williams, Failed. So Did A Broadway Revival In 1983 Starring Cicely Tyson And Peter Gallagher. But A 1985 London Revival At The Old Vic With Deborah Kerr Was Successful, As Was A 2007 Production At The Williamstown Theatre Festival In Massachusetts. That Production Starred Kate Burton. Williams Was A Close Friend Of Kate'S Parents, Richard Burton And Burton'S First Wife, Sybil. In The Williamstown Production, The Schoolboy — The Role Created By And Modeled On Williams Himself — Was Played By Kate Burton'S Son, Morgan Ritchie.[2] His Autobiographical Light Comedy, The Druid'S Rest Was First Performed At The St Martin'S Theatre, London, In 1944. It Saw The Stage Debut Of Richard Burton Whom Williams Had Spotted At An Audition In Cardiff. The Play Has Been Revived At Clwyd Theatr Cymru In Both 1976 And 2005, And Received Its First London Revival In Sixty Years At London'S Finborough Theatre In 2009. In Addition To Stage Plays, Williams Wrote A Number Of Film Screenplays, Working With Alfred Hitchcock (On The Man Who Knew Too Much), Carol Reed And Other Directors. He Acted In And Contributed Dialogue To Various Films Based On The Novels Of A. J. Cronin, Including The Citadel (1938), The Stars Look Down (1939), Hatter'S Castle (1942) And Web Of Evidence (1959). He Played The Mad Roman Emperor Caligula In An Uncompleted 1937 Film Version Of Robert Graves'S Novel I, Claudius (With Charles Laughton); A Kindly Veterinarian Who Accidentally Causes The Death Of A Murderess (Played By Bette Davis) In The 1952 Suspense Drama Another Man'S Poison; And The Fool Wamba In The 1952 Ivanhoe (With Robert Taylor And Elizabeth Taylor). Other Screen Credits Include Hitchcock'S Adaptation Of Daphne Du Maurier'S Jamaica Inn (With Charles Laughton), Gabriel Pascal'S Film Version Of George Bernard Shaw'S Major Barbara (With Wendy Hiller And Rex Harrison), José Ferrer'S I Accuse! (Playing Émile Zola), The Wreck Of The Mary Deare (With Gary Cooper), The L-Shaped Room (With Leslie Caron), And A Made-For-Tv Adaptation Of Charles Dickens'S David Copperfield (With An All-Star Cast Including Laurence Olivier, Michael Redgrave, Ralph Richardson And Edith Evans). In 1941 Williams Starred In The Film You Will Remember, Directed By Jack Raymond And Written By Sewell Stokes And Lydia Hayward. The Film Is Based On The Life Of The Popular Late Victorian Songwriter Leslie Stuart, Played Here By Robert Morley, With Williams As Stuart'S Best Friend. Also In 1941, He Had A Principal Supporting Part (As Snobby Price) In Gabriel Pascal'S Filming Of George Bernard Shaw'S Major Barbara. His Only Film As A Director, The Last Days Of Dolwyn (1949), Which He Also Wrote And Starred In, Marked The Screen Debut Of His Fellow Welshman, Richard Burton. Williams Often Appeared In His Own Plays, And Was Famous For His One-Man-Shows, With Which He Toured The World, Playing Charles Dickens In An Evening Of Excerpts From Dickens' Novels. This One Man Show Was The Start Of A Whole New Theatrical Genre. He Followed Up His Dickens Performance With One Man Shows Based On The Works Of Dylan Thomas, Dylan Thomas Growing Up, And H.H. Munro Better Known Under His Pseudonym Saki. His Post-War Acting Credits Included The Winslow Boy By Terence Rattigan And The Deputy Aka The Representative By Rolf Hochhuth On Broadway. He Also Was The Voice Of Lloyd-George In The Seminal Bbc Documentary The Great War (1964). Among Williams' Other Books Was The Best Seller Beyond Belief: A Chronicle Of Murder And Its Detection (1968), A Semi-Fictionalised Account Of The Moors Murderers, Ian Brady And Myra Hindley. His 1980 Novel Headlong, The Fictional Story Of The Unexpected Death Of The Entire British Royal Family In A Freak Accident In 1930, And The Ascension Of A Most Unlikely Heir To The British Throne As A Result, Was The Loose Basis Of The 1991 Motion Picture King Ralph Which Stars John Goodman, Peter O'Toole, John Hurt And Camille Coduri. It Was A Comedic Treatment Of Headlong And Was Set In The Contemporary United Kingdom. Goodman'S Character Is A Failed Lounge Singer Named Ralph Jones Whose Grandmother Had An Affair With The Fictional Duke Of Warren, In The Line Of Succession Of The House Of Windam, A Not Too Subtle Play On The House Of Windsor, The Current Royal House Of The Sitting Monarch, Queen Elizabeth Ii. King Ralph Mentions The House Of Stuart As The Antagonist'S Royal House, Which Was In Fact The Actual Royal House 200 Years Before The Windsors. John Hurt Plays Lord Percival Graves, The Antagonist Plotting To Regain The Throne For The House Of Stuart, And For Himself As The First In The House Of Stuart'S Line Of Succession. King Ralph Did Reasonably Well At The Box Office In 1991. Williams' Autobiography, In The Volumes George (1961) And Emlyn (1973), Was Also Highly Successful. In Both Books, He Wrote Frankly Of His Homosexual Experiences; Indeed, He Was Publicly Out As A Bisexual Before Other Better-Known Gay Literary Celebrities, Such As His Close Friend And Contemporary Christopher Isherwood. Williams Was Married In 1935 To Actress Mary Marjorie O'Shann (Molly Shan), Who Died In 1970. They Had Two Sons, Alan, A Writer, And Brook, An Actor. Brook Williams Became A Close Friend Of Richard Burton'S, Working As Burton'S Personal Assistant And Appearing In Many Of Burton'S Films, Sometimes Even Dubbing Burton'S Voice. But Both During His Marriage And Following His Wife'S Death, Williams Was Actively Bisexual Throughout His Adult Life. He Maintained A Relationship From 1981 To 1986 With American Theatre Journalist Albert N. Williams (No Relation), Whom Emlyn Williams Met While Appearing At The Northlight Theatre In The Chicago Area With His One-Man Charles Dickens Show. (Albert Williams Served As Emlyn Williams' Personal Assistant During A 1982 Tour Of England, Wales And Ireland With The Charles Dickens And Dylan Thomas Solo Shows.) Emlyn Williams Was Appointed A Commander Of The Order Of The British Empire (Cbe) In 1962.

Matthew Hindley; Black Gold

Matthew Hindley The Great Storm Is Over

Matthew Hindley - Diamond Diamond, Shinin' Shinin', Diptych

This diptych by Matthew Hindley, titled 'Diamond Diamond, Shinin' Shinin'', showcases a striking interplay of colors and abstract shapes. Each panel is signed and dated 2011, created with oil on linen, and measures 200 by 400 cm, suggesting a large-scale, immersive visual experience.

Matthew Hindley: "An Everlasting Once"

A large-scale oil painting titled 'The Hour Of Lead' by Matthew Hindley, showcasing abstract forms and muted colors.

Matthew Hindley - The Hour Of Lead

Matthew Hindley's 'The Hour Of Lead' is a striking oil painting on linen, measuring 200 by 300 cm. The artwork features abstract forms and a palette of muted colors, evoking a sense of introspection and depth. Signed and inscribed on the reverse, it reflects Hindley's unique artistic vision.