Marco Cianfanelli is a South African artist, born in 1970, known for his innovative approach that merges art, architecture, and public spaces. His work features a unique combination of computer-generated, data-driven applications alongside human, expressive gestures, creating a dynamic tension throughout his pieces. Cianfanelli initially focused on painting landscapes, evolving to address themes of romanticized spaces and the implications of marginalization through his art. His recent works are characterized by slick, pared-down iconography that reflects the complexities of his affection for South Africa.
Cianfanelli has exhibited widely, including significant solo exhibitions at notable venues such as the University of Johannesburg and Goodman Gallery in Johannesburg. His participation in group exhibitions has also marked his presence in the South African art scene, showcasing his work at events like the Brett Kebble Art Awards and the international land art event in Plettenberg Bay.
His artworks are held in prestigious public collections, such as those of SASOL, ABSA, and the Bloemfontein Art Museum. Cianfanelli's market presence is bolstered by his iconic commissions, including the notable sculpture of Nelson Mandela's head at the site of his capture, making him a significant figure in contemporary South African art.
This untitled artwork from Marco Cianfanelli's Orbit Series combines laser-cut mild steel and found rock. The sculpture stands 34cm tall, 42cm wide, and 39cm deep, showcasing a unique interplay of industrial and natural materials, likely creating a striking visual contrast.
This untitled artwork by Marco Cianfanelli likely showcases a blend of manipulated computer photography with elements of branded springbok hide and painted glass. The combination of textures and materials may create a striking visual contrast, inviting viewers to explore its intricate details and contemporary aesthetic.
Marco Cianfanelli's 'Milk Carton II' is a conceptual artwork that may engage with themes of identity and memory, possibly using the familiar form of a milk carton as a metaphor. The piece invites viewers to reflect on the significance of everyday objects in shaping personal narratives and collective experiences.
Marco Cianfanelli's 'Milk Carton I' is a conceptual artwork that may utilize the familiar form of a milk carton to delve into themes of identity, nostalgia, and memory. The piece likely invites viewers to reflect on the everyday objects that shape our lives and experiences.
This mixed media piece by Marco Cianfanelli features the Johannesburg skyline, enhanced with embossed hide motifs. The artwork is signed and dated 1996, showcasing a unique blend of urban landscape and textured elements, presented on chipboard. The dimensions suggest a compact yet impactful representation of the city.
This artwork by Marco Cianfanelli depicts the Johannesburg skyline, prominently featuring a bull silhouette motif. Created in 1996, the piece is crafted on chipboard and showcases a blend of urban and natural elements, reflecting South African culture. The dimensions suggest a compact yet impactful presentation.
The artwork titled 'Spheres - Future, Past and Present, I-VII' by Marco Cianfanelli features a collection of five fibreglass spheres, each crafted with sand pigment and mild steel. The spheres vary in size, with dimensions ranging from approximately 42 by 75 cm to 45 by 38 cm, showcasing a blend of earthy colors that evoke a sense of temporality and connection between past, present, and future.
This artwork by Marco Cianfanelli combines a manipulated computer photograph with textured branded springbok hide and vibrant painted glass. The piece measures 97 by 123cm, showcasing a blend of natural and digital elements, reflecting a modern artistic approach. Inscribed with the artist's name and title, it offers a unique visual experience.
This untitled portrait by Marco Cianfanelli showcases detailed burn drawings on kudu hide, framed in the artist's original frame. Created in 1998, the artwork measures 67 by 67 cm and likely captures a unique and textured representation of the subject, emphasizing the natural characteristics of the kudu hide.
Marco Cianfanelli's 'Milk Carton III' is a conceptual artwork that may utilize the familiar form of a milk carton to delve into themes of identity, consumption, and societal norms. The piece invites viewers to reflect on the everyday object and its implications in contemporary life.
This abstract artwork, 'Nipple And Blank, Two' by Marco Cianfanelli, likely features a juxtaposition of organic shapes and negative space, inviting viewers to contemplate the relationship between form and absence. The title suggests a focus on bodily imagery and the interplay of presence and void.
This large abstract artwork titled 'Without' by South African artist Marco Cianfanelli combines perspex, paint, and mild steel. The piece, measuring 200 by 145 cm, showcases a contemporary style with a dynamic interplay of materials, likely creating a striking visual impact.
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