Christine Dixie is a South African artist born in 1966, known for her work in printmaking and large-scale installations. She earned her Bachelor of Fine Arts from the University of the Witwatersrand and her Master of Fine Arts from the University of Cape Town in 1993. Dixie's artistic practice often explores themes of identity and cultural history, making her a significant figure in contemporary South African art.
Her work is held in notable public collections, including the National Museum of African Art, the New York Public Library, the Johannesburg Art Museum, and the Isiko National Art Museum. Additionally, she has contributed to academia by teaching at Rhodes University in Grahamstown.
Christine Dixie was awarded an Artist Research Fellowship by the Smithsonian Institution in 2012, highlighting her influence and recognition within the art community. Her presence in key collections underscores her significance in the art market.
Christine Dixie's tapestry 'Potiphar's Wife: Pursuing His Mirage' explores themes of desire, secrecy, and the complexity of relationships. The artwork features figures such as Potiphar's wife, Delilah, Bathsheba, and Magdelene, each representing different aspects of longing and intrigue. The use of black chalk on paper suggests a delicate yet bold approach to the narrative.
The Thresholds portfolio by Christine Dixie features a collection of eleven unique etchings, each likely displaying detailed imagery and themes that reflect the artist's South African heritage. The etchings are presented in a stylish vinyl bound casing, emphasizing the artistic craftsmanship and the variable dimensions of each piece.
Christine Dixie's artwork 'The Touch Of A Golden Apple Leaf' reflects on intimate moments and emotional connections, possibly featuring symbolic elements like a golden apple leaf. The piece may evoke feelings of tenderness and contemplation, drawing inspiration from classical themes of love and observation.
Christine Dixie's 'The Bridge Of Judgement Nos I-IV' consists of four numbered etchings, each exploring complex themes of judgment and transition. The artwork likely features intricate line work and evocative imagery, reflecting the artist's South African heritage and emotional depth.
Christine Dixie’s 'The Dark Woods' is a series of four numbered etchings from 1990, showcasing intricate and atmospheric representations of dark, enigmatic forests. Each piece captures a unique perspective of the woods, emphasizing depth and shadow, characteristic of Dixie's evocative style.
Christine Dixie's etching 'In The Dark' showcases a captivating interplay of abstract forms and dark tones, inviting viewers to explore themes of shadow and light. The artwork, signed and dated in 1997, is presented in a frame, enhancing its visual impact.
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