Site Loader
Rock Street, San Francisco
  • Current Language:
  • fr
  • Select Language:

This is the rating and price for Fang Mask Ngil Society, second half 20th cen



Description : Additional Information: A Fang face carved mask painted in white. The surface and the interior are worn and the surface of the face shows signs of numerous over paintings of the face indicating its age and long use as well. , , The openings at the either side of the mask were used to tie the mask to the head and face of the wearer. This piece remains a good example of Fang masks. It will be well placed in a collection Well known for their reliquary figures the Fang also danced finely sculpted masks during a number of ritual activities. Among the Fang white-painted masks identified with the Ngil society are known for their elegant abstractions of the human face. Ngil masks have been described as having a 'heart-shaped face' due to the facial features emphasizing refined curves of the orbital ridges above the eyes and the prominent line of the long tapering nose that ended above a discretely mouth carved at the bottom of the chin that completes the abstraction of the face. Ngil masks were worn during initiations and known for judicial and social control activities in searching out sorcerers, a process that ultimately led to their being banned by the French colonial authorities in 1910. A later development among the Fang was the appearance of a mask known as Ngontangan, the head of the young white girl referring to early European women missionaries who arrived on the coast during the nineteenth century. The mask may have had ritual or ceremonial meaning in the past exorcising malevolent sorcerers but appears not to carry significant symbolic weight today. Though few in number the elegant forms and abstractions of the Ngil masks made them very attractive to early modern European artistic sensibilities serving as models for a number of sculptors. While emphasizing its pure forms, the mask's white color also marks its spiritual identity. , , , Further Reading:Binet, J. Societes de danse chez les Fang, (Paris, 1972)Fernandez, J. 'La statuaire Fang-Gabon', African Arts, 8, No.1, 1974.Fernandez, J. W. and R. L. 'Fang Reliquary Art: Its Quantities and Qualities.'Cahiers d'etudes africaines, 15, No. 5. (1975)Perrois, L. Statuaire fang, (Paris, 1972)Perrois, L. Sculpture traditionelle du Gabon, (Paris, 1977)Perrois, L. 'Arts du Gabon, Les arts plastiques du Bassin de l'Ogoue', Arts d'Afrique Noire. 1979. Perrois, L. Arts ancestral du Gabon dans les collections du Musee Barbier-Mueller, (Geneva, 1985)Phillips, T, (ed.) Africa, The Art of a Continent, (Munich, 1995)Roy, C. Art and Life in Africa, (Iowa City, 1992)Schmalenbach, W. African Art from the Barbier-Mueller Collection, (Geneva,1988)Tessmann, G. Die Pangwe, (Berlin and New York, 1913(1972) I have examined this piece and agree with the description. Niangi Batulukisi, PhD. ,
Price: 0.00 USD It's free to register now to view!
Estimate (low-high) : 500 USD-600 USD It's free to register now to view!

About the lot N° 91776
Title : Fang Mask Ngil Society, Period : second half 20th cen
Medium : wood and pigment
Size : 15 inches H. x 6.5 inches W.
Condition report : Good. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage. worn patina
Africa Direct, auctioneer, Denver, US It's free to register now to view!
Sale title : Vintage African Masks and Currencies
Sale date : 30 Jan 2016 It's free to register now to view!
Sale Reference : Live Sale

Interested in valuating work ? 

AfricartMarket Insights

Access exclusive information.Sign-up here for our newsletter and we’ll keep you updated. You can unsubscribe at any time.

 

We respect your privacy. No spam.