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This is the rating and price for A Rare Pinda Ivory Figure

Recorded provenance


Description : carved from African elephant ivory ( loxodonta africana ), the human torso rising from a circular base, the openwork arms resting on a belt or wrap, the oval head with open mouth, incised eyes and wearing a typical coiffure, composed of two disc-like elements on the sides, with a hole inserted in to the top, fine gold-brown patina with residue.

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About the lot N° 133
Title : A Rare Pinda Ivory Figure
Size : measurements note height 3 1/4 in. 8.26 cm
Provenance : Reportedly from a Portuguese Private Collection, LisbonAndré Fourquet, Paris, acquired from the above, 1960sMarcel de Toledo, Brussels, acquired from the above, 1995
Literature : Jean-Baptiste Bacquart, The Tribal Arts of Africa, New York, 1998, p. 189, fig. 10Dick Beaulieux, Belgium Collects African Art, Brussels, 2000, p. 197
Notes : The Pinda are a small people living in the coastal region of Angola, with the Cambalo river to the north, the Cuvo river to the west and Porto Amboim to the south (Bastin 1994: 38). Testimonies of their figurative sculpture are extremely rare and seem to exist only in the form of small female torsos carved from African elephant ivory (loxodonta africana). Besides the Bohlen Pinda, only four other figures are known (all published in Bastin 1994: 91, figs. 59-62): three in the Museu Nacional de Etnologia, Lisbon (accession nos. 'AX-669', 'AX-670' and 'AX-671'), and a fourth in the Casa-Museu Teixera Lopes, Vila Nova de Gaia (accession no. '6'), previously in the collection of the artist Diogo de Macedo and published in 1934 (Macedo and Montalvor 1934: fig. 39). A fifth figure published in 1915 in Einstein's Negerplastik (Einstein 1915: pl. 82), present location unknown, is similar in its general composition, including the coiffure with two discs on the sides. However, too little is known about the actual object to determine if indeed it should be added to the corpus. The deep patina on the Bohlen Pinda and the three figures from the Lisbon museum as well as the early publication dates of the figure in the Casa-Museu Teixera Lopes and possibly of the Einstein figure suggest that the corpus of Pinda ivories is of great age. Noteworthy in this context is the similarity of the facial features and parts of the coiffure of the tallest of the three figures in the Lisbon museum (accession nos. 'AX-669', Bastin 1994: 91, fig. 59) and one female wood torso in the Museo Nazionale Preistorico ed Etnografico 'Luigi Pigorini', Rome, which was brought to Italy from Angola or the Congo at the end of the 17th century (published in Bastin 1994: 61, fig. 2). Acknowledgments: Marcel de Toledo for sharing his research

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