George Milwa Mnyaluza Pemba; South African 1912-2001; Sangoma ,1980
Herkunft : Strauss & Co, Cape Town, 18 March 2019, lot 559. The Stan and Li Boiskin Art Collection.
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Anmerkung : In the present lot, Pemba tenderly describes a mother and child's consultation with a Sangoma. This narrative portrays their emotional vulnerability and how the Sangoma, dressed in turquoise and white beads as a designation of his status, searches for answers in the arrangement of strewn objects before him, to treat the malady. His convening with the spirit world and performance to evoke a response is visible in his earnest expression and body movements. The modern environment is seemingly at odds with the Sangoma' s attire, evidence that this traditional practice takes place contemporarily in his suburban place of business. Stan and Li Boiskin were well-known Cape Town cultural patrons whose influence extended far beyond collecting art. Active in community organisations and public life, they believed culture should be shared and socially meaningful rather than confined to private spaces. For them, art was a means to educate, to bring people together, and to foster deeper understanding between communities. Alongside their involvement in the arts, the Boiskins were deeply committed to social causes centred on education, remembrance, and social cohesion. They supported Holocaust education initiatives, interfaith programmes, and projects aimed at reducing prejudice through historical awareness. Their philanthropy also extended to welfare and community support efforts, particularly those that preserve immigrant histories and assist vulnerable families. Together, they embodied a form of patronage in which art, education, and social responsibility were closely intertwined. Preserving culture, in their view, meant not only caring for artworks but also encouraging dialogue, empathy, and mutual respect. This carefully curated collection reflects a lifetime of shared dedication to the arts and stands as a tribute to Li Boiskin. Among her many achievements, she was the first person elected to two successive terms as Chairperson of the Cape South African Jewish Board of Deputies. At the heart of her leadership was her character. Widely respected for her integrity and moral clarity, she was guided not by status or popularity but by a strong sense of justice and responsibility to others. Known for her kindness, generosity, and compassion, she embodied the values of faith, family, community, learning, and fairness. Her leadership was principled and people-centred, rooted in a deep commitment to others' well-being. We hope you enjoy this special collection, which includes mini collections by leading South African artists such as Irma Stern, J H Pierneef, George Pemba and Maggie Laubser. Each played a defining role in shaping South African art in the first half of the twentieth century and contributed, in distinct ways, to the emergence of modern art in the country.
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