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Das ist der Preis für die folgende Bewertung: Belvidere Church, Knysna nach Thomas Bowler


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Thomas Bowler (1812-1869)
Über das Lot Chargen- 198
Belvidere Church, Knysna
Medien: watercolour and pencil on paper
Größe : 23,5 by 42cm excluding frame, 42,5 by 59 by 2cm including frame
Unterschrift: inscribed and indistinctly dated 'Knysna, Cape Good Hope, 186*'
Preis: 2 146.42 USD 🔓Keine Kreditkarte nötig.
Schätzung (niedrig/hoch) : 20000 ZAR-30000.0 ZAR 🔓Keine Kreditkarte nötig.
Strauss & Co, Auktionator 🔓Keine Kreditkarte nötig.

Verkaufstitel : South African and International Art Online-Only Auction 🔓Keine Kreditkarte nötig.
Verkaufsdatum : 04/03/2019 🔓Keine Kreditkarte nötig.
Auktionsreferenz : Online sale

Herkunft : The Harvey Collection of Africana
Literature : Frank Bradlow (1967) Thomas Bowler: His Life and Work, Cape Town: AA Balkema. Illustrated as figure 318 and dated 1863, pp 170 and 171.
Anmerkung : Thomas William Bowler (1812–1869) was a British landscape painter who lived at the Cape from 1834 until he returned to England in 1868. He travelled widely in the Cape and Natal colonies, visiting Knysna, Port Elizabeth and Port Alfred in the mid-1860s. He produced over 500 watercolours, some of which were published as lithographs and engravings, as well numerous oil paintings and other sketches. The Holy Trinity Church, Belvidere, Knysna, is one of more than fifty churches established by the Anglican Bishop Robert Gray in the 25 years after he arrived in South Africa in 1848. More than 40 of these churches were designed by his wife Sophy, in a variety of 'traditional' church architecture styles. Belvidere is in a Norman/Romanesque revival style, with characteristically small, round-arched windows and thick stone walls. Gray recalls how he and Thomas Duthie, the owner of the land at Belvidere, fixed upon a beautiful spot, commanding a fine view of the lake [Knysna Lagoon] on which to build the church (quoted in Martin: 32).1 1. Desmond Martin (2005) The Bishop's Churches: The Churches of Anglican Bishop Robert Gray, Cape Town: Struik, pp 32 and 33.

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