Über das Lot Chargen- 19
Titel : Eveil (Enlightenment), EPOCHE : 1905
Größe : 1980 55 x 45cm
21 5/8 x 17 11/16inHerkunft : Provenance: Property from a private collection, Athens This intriguing, philosophical composition by Greco-Egyptian artist Mayo is an extremely rare appearance of an oil painting from an artist who was at the very centre of the Egyptian Surrealism and deeply involved with the wider Surrealist movement as a whole. Echoing the ancient Greek allegory of Plato’s cave, Mayo depicts a graceful female figure exposed by an opening that has been smashed in a brick wall, titled Enlightenment, the painting likely echoes the freedom that the philosopher bestows upon man through the transmission of knowledge, which Plato likened to prisoners from a cave being freed and confronted with light. Mayo was born in 1905 in Port Said, Egypt. His father was Greek and his mother was French. He spent his early education in a Jesuit school in Alexandria. His father was an engineer working on the Suez Canal. He moved to Paris in 1924 and met Man Ray, Desnos, Tzara, and Salmon in Montparnasse. He frequented Le Jockey Club, a famous gathering spot of artist at that time, there he met Tzara, Picabia, and Foujita and became friends with Kiki of Montparnasse, and in 1924 he was accepted at the Beaux Arts in Paris. In 1927, René Crevel introduced him to André Breton, leader of Surrealism, but Mayo had no interest in participating in a collaborative movement. Two years later in 1929, Mayo exhibited with Chirico at the Galerie des Quatre Chemins. He participated in many group shows and in 1930 rented his own studio. He contributed to the magazine Le Grand Jeu. Like many of the Surrealists the Popular Front and the terrible Spanish Civil War inspired many of his compositions. During this time he also experimented with printmaking at S.W. Hayter’s Atelier 17 in Paris. During the 1934 economic crisis in France, Mayo returned to Egypt where he continued to work. He contributed to the magazine Le Grand Jeu. Like many of the Surrealists the Popular Front and the terrible Spanish Civil War inspired many of his compositions. During this time he also experimented with printmaking at S.W. Hayter’s Atelier 17 in Paris. He eventually moved back to France. Mayo spent the six years of French occupation in Cannes with Prévert, he designed theatre costumes among other work. At the end of the war, Mayo continued to develop his oeuvre painting expressionistic works of realistic images as well as still life’s and images of fishes and bottles. Mayo travelled extensively in Greece and Spain where he discovered luminescent, iridescent colours and the importance of light. In 1966, Mayo moved his soon-to-be demolished Paris studio to Rome at Via Magutta. Following this move, Mayo began a new body of work. He painted historic ruins from antiquity. This period of Mayo’s work is known as Période Romaine. In 1983 the Centre Cultural Français de Rome exhibited a retrospective of Mayo’s work, including the recent images of historic ruins. In 1985 Mayo returned to France. He received the Grade de Commandeur de L’Ordre des Arts et des Lettres. Mayo died in 1990 on his houseboat at Seine Port. Anyone who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light or from going into the light – Plato, The Allegory of the CaveBonhams 3, Auktionator
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Verkaufstitel : Egypt's Awakening & Modern & Contemporary Middle East Art
Verkaufsdatum : 18/04/2018
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Auktionsreferenz : Live Sale
