Das ist der Preis für die folgende Bewertung: A Selection of Eighty-One African Art Books, Fagg, William. Tribes and Forms in African Art. London: Tudor Publishing, 1965. 122 pls. with

Beschreibung : description on facing page.; Haskins, Sam. African Image. New York, 1967. 152 plates.; Daye, Piere Jacques Crokaert, J.-M. Jadot, A. Gilson, et al. Le Miroir du Congo Belge. Volume I. Brussels/Paris: Aux Editions N.E.A., 1929. 286 pp., hundreds of ills., maps. Rebound.; Davidson, Basil. Africa, History of a Continent. New York, 1966. 320 pp., illustrated throughout.; Bartlett, Jen & Des. Nature"s Paradise- Africa. London, 1967. 360 pp., 300- full pp. pls. Ex libris Jane & Edward G. Robinson.; Cannizzo, Jeanne. Into the Heart of Africa. Toronto: Royal Ontario Museum, 1989. 96 pp., numerous ills., map.; Brincard, Marie-Therese (Ed.). Sounding Forms- African Musical Instruments. New York: American Federation of Arts, 1989, 207 pp., 180 illustrations, 1 map.; Cole, Herbert. Icons- Ideals and Power in the Art of Africa, National Museum of African Art. Washington, D.C.: Smithsonian Institution, 1989. 207 pp., 206 figs., maps.; Baltimore. The Wurtzburger Collection of African Sculpture. Baltimore: Baltimore Museum of Art, 1954. 30 pp., ill.; Brussels. Art in the Congo. Brussels: Brussels Universal Exhibition, 1958. 89 plates.; Baltimore. Social Rite and Personal Delight: African Art from Baltimore Collections. Baltimore: Baltimore Museum of Art, 1975. Ill.; Allison, Philip. African Stone Sculpture. London: Lund Humphries, 1968. 71 pp., 99 plates.; Atkins, Guy (Ed.). Manding Art and Civilisation. London, 1972. 47 pp., Ill.; Antwerp. Sculptures Africaines: Nouveau Regard sur un Heritage. Musee d"Anvers. Antwerp, 1975. 85 pp. illustrated.; Athens. Sacred and Secular Art of West Africa. Trisolini Gallery. Athens: Ohio University, 1976, 18 pp., ill.; Bordogna, Charles. African Legacy- A Cultural Heritage through Art. Tenafly: S.M.A. Fathers, 1990. 75 pp., 57 ills., figs.; Buffalo. Out of Africa. Buffalo Museum of Science, 1969. 58 pp., Ill.; Curtis, Natalie. Songs and Tales from the Dark Continent, Recorded from the Singing and the Sayings of C. Kamba Simangom, Ndau Tribe, Portuguese East Africa and Madikane Cele, Zulu Tribe, Natal Zululand, South Africa. New York: G. Schirmer, 1920. "70 pp., 10 ills.; Bay, Edna G. Asen: Iron Altars of the Fon People of Benin. Atlanta: Emory University Museum, 1985, 48 pp., Ill.; Brincard, Marie-Therese. Beauty by Design- The Aesthetics of African Adornment. New York: The African-American Institute, 1984. 136 pp., Illustrated.; Beier, Ulli. Art in Nigeria, 1960. Cambridge: University Press, 1960. 24 pp. text, 76 ills., figs.; Balandier, Georges and Jacques Maquet. Dictionary of Black African Civilization. New York: Leon Amiel, 1974 (updated, original 1968). 350 pp. numerous ills. maps.; Berns, Marla C. and Barbara Rubin Hudson. The Essential Gourd: Art and History in Northeastern Nigeria. Nigeria. Los Angeles: Museum of Cultural History, 1986. 190 pp., 151 ills.; Bodrogi, Tibor. Afrikanische Kunst. Budapest, 1967. 131 pp., 191 illustrations.; Atmore, Anthony and Gillian Stacey, photographs by Werner Forman. Black Kingdoms, Black People- The West African Heritage. London: Orbis, 1985 (reprint). 128 pp., profuse c. ills.; Freyer, Bryna. Royal Benin Art in the Collection of the National Museum of African Art. Washington, D.C.: National Museum of African Art, 1987. 63 pp., illustrated.; Hempstead. Textures- The Spirit of West African Textiles. Hempstead: Hofstra University, 1992. 18 loose pp., 12 ills.; Fagg, William. Afro-Portuguese Ivories. London, n.d. 24 pp., 46 pls.; Huet, Michel. Afrique Africaine. Lausanne, 1963. 143 pp., profusely ill.; Houston. Benin Houston: Museum of Fine Arts, 1968. 22 p., 35 ills., map.; Herold, Erich. Tribal Masks from the Naprstek Museum, Prague. London: Paul Hamlyn, 1967. 60 pp., 72pls.; Gebrands, A.A. Afrika: Kunst aus dem Schwarzen Erdteil, Recklinghausen, 1967. 29 pp., 102 pls., 8 c. pls.; Goldwater, R. Bambara Sculpture from the Western Sudan. New York: The Museum of Primitive Art, 1960. 64 pp., 112 pls.; Hasselt. Fascinerend Afrika Kijk op Cultuur. Hasselt, 1985. 42 pp., ills.; Gentis, Thierry. Traditional Art of Africa. An exhibition at the Haffenreffer Museum of Anthropology. Providence: Brown University, 1983. 12 pp., 12 ills., map.; Dagan, Esther. The Spirits Image: The African Masking Tradition- Evolving Continuity. Galerie Amrad. Montreal, 1992. 263 pp., profuse illustrations.; Montreal. Man At Rest: Stools, Chairs, Thrones, Foot-Rests, Back-Rest, Benches. Galerie Amrad. Montral, 1988 (2nd ed.) 64 pp., well illustrated.; Delange, Jacqueline. Le Bansonyi du Pays Baga. Extract from "Objets et Mondes", Tome II, Fasc. 1. Paris, 1962. 10 pp., 7 ills.; Hommel, William. Art of the Mende. College Park: Art Gallery, 1974. 86 ills., text. Ex libris Jane & Edward G. Robinson.; Glaze, Anita (Ed.). Aesthetics of the Sacred and the Cool; African Art from the Faletti Collection. Urbana-Champaign: Krannert Art Museum, 1990. 41 pp., well illustrated.; Glaze, Anita. Discoveries: African Art from the Smiley collection. Krannert Museum. Urbana/Chicago: University of Illinois Press, 1989. 159 pp., illustrated.; Dagan, Esther. Tradition in Transition: Mother and Child in African Sculpture- Past and Present. Galerie Amrad. Montreal, 1989. 159 pp., illustrated.; Detroit. Detroit Collects African Art. Detroit Institute of African Art., 1977. 200 illustrations.; Blackman, Barbara and Jacques Hautelet. Blades of Beauty and Death: African Art Forged in Metal. San Diego: Mesa College Art Gallery, 1988. 36 pp., 21 plates.; San Diego. Values Made Visual. African Art from the Collection of Robert and Patricia Berg. San Diego: Mesa College Art Gallery, 1988. 36 pp., 21 plates.; Herreman, Frank. The Skin of the Statue: Scarification and Body-Painting on Central-African Sculpture. Waasmunster, 1986. 36 pp., 22 ills.; Hersey, Irwin. African Tribal Art. Tokyo: Seibu Museum of Art, 1978. 8 pp., 117 ills. Text Japanese/English.; Thompson, Robert Farris. African Art in Motion: Icon & Act. National Gallery of Art, Washington, D.C. Berkeley/Los Angeles: University of California Press, 1974. 276 pp., 274 ills. s.c., damaged.; Cornet, Joseph. Art from Zaire: 100 Masterworks from the National Collection. New York: African-American Institute, 1975. 134 pp., 100 plates.; Cissoko, Seke"e"-Mody. Histoire de l"Afrique Occidentale: Moyen-age et Temps Modernes VII Siele-1850. Paris, 1966. 333pp., Ill.; Gottschalk, B. Madebelle- Busch-geister im Land der Senufo. Meerbusch, 1988. 47 pp., 37 ills. Text also in French.; Gottschalk, B. Dogon-Studienreihe "africa incognita". Meerbusch, 1990. Vol I: 204 pp., profuse ills. Vol II: 68 pp., French text to vol I.; Oxford. Art from the Guinea Coast. Oxford: Pitt Rivers Museum, 1965. 15 pp. text, 36 pp. ills, map. Faidherbe, Le Ge"e" al. Le Se"e"gal- La France dans l"Afrique Occidentale. Paris: Libraire Hachette, 1889. 501 pp., 18 ills., 3 figs., 5 maps & plans.; Frobenius, Leo and Douglas C. Fox. Prehistoric Rock Pictures in Europe and Africa. New York: The Museum of MOdern Art, 1937. 79 pp., ill.; F rster, Till. Glenzend wie Gold, Gelbguss bei den Senufo Elfenbeinkuste. Museum fur Vulkerkunde. Berlin: Reimer Verlag, 1987. 252 pp., 202 ills., 22 c. pls.; Hambly, Wilfrid D. Anthropometry of the Ovimbundu. Chicago: Field Museum, 1938. 79 pp., 22 c. pls.; Geneva. Arts Africains dans les Collections Genevoises. Geneva: Muss"e d"Ethnographie, 1973. 110 pp., 76 pls.; Austin. Art of Upper Volta- From the Collection of Maurice Bonnefoy. Austin: University Art Museum, 1976. Well illustrated catalogue.; Idowu, E. Bolaji. Olodumare, God in Yoruba Belief. New York: Praeger, 1963. 222 pp., 17 plates.; Gorer, Geoffrey. Africa Dances: A Book about West African Negroes. New York: Knopf, 1935. 338 pp., 32 pls.; Hall, R.N. Great Zimbabwe- Mashonaland, Rhodesia. An Account of Two Years" Examination Work in 1902-4 on Behalf of the Government of Rhodesia. London: Methuen, 1905. 459 pp., several ills., fold-out maps.; Schweeger-Hefel, Annemarie. Afrikanische Bronzen. Vienna, 1948. 34 pp., 48 pls.; Gobel, Peter. Holzplastik aus Afrika. Berlin, 1987. 64 pp., ills.; Dusseldorf. Traditionelle afrikanische Kunst. Galerie Alex V mel. Dusseldorf, 1968. Ill.; De Grunne, Bernard. Ancient Pottery from Mali; some Preliminary Remarks. Galerie Biedermann. Munich: Fred Jahn, 1983. 96 pp., 84 ills.; De Pedrals, D.P. Archeologie de l"Afrique Noire. Paris: Payot, 1950. 233 pp., 15 figs. paper.; Dark, Philip J.C. The Art of Benin. Chicago: The Chicago Natural History Museum, 1962. 74 pp., 48 pls.; D"Aby, F.J. Amon. Croyances Religieuses et Coutumes Juridiques des Agni de la Cote d"Ivoire. Paris: Editions Larouse, 1960. 184 pp., 8 plates.; Evans-Pritchard, E.E. Withcraft, Oracles and Magic Among the Azande. Oxford: Clarendon Press, 1976 (reprint of 1950 edition). 265 pp.; Egharevba, Jacob U. A Short History of Benin. Nigeria: Ibadan University Press, 1960. 101 pp.; Antwerp. Kunst uit Zwart Afrika, Galerij Brabo. Antwerp, 1981. 64 pp., Illustrated.; Boser, Renee and Alain Jeanneret. Schwarzafrika Plastik. Basel: Museum fur V lkerkunde, 1969. 83 pp., 68 pls.; Bedaux, R. Tellem. Berg en Dal: Afrika Museum, 1977. 104 pp., Ill.; Bascom, William and P. Gebauer. Handbook of West African Art. Milwaukee: Milwaukee Public Museum, 1953. 83 pp., numerous ills.; Holas, B. L"Art Sacre Senufo- ses Differentes Expressions dans la Vie Sociale. Abidjan, 1985. 332 pp., numerius ills.; St. Louis. Sculpture of Black Africa: Contrast. St. Louis: University of Missouri, 1973. Illustrated pamphlet.; Botswana. Puppet Theatre from Mali. National Museum, 1980. 16 pp.; Blier, Suzanne Preston. Beauty and the Beast: A Study in Contrasts. L. Kahan Gallery. New York, 1976. 14 pp., 8 ills.; Frankfurt. Kunst? Handwerk in Afrika im Wandel. Frankfurt am Main: Museum fur V lkerkunde, 1975. 147 pp., 85 ills.
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