Hannatjie van der Wat; South African 1923-2002; Johannesburg
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Note : Hannatjie van der Wat's range of artistic expression is evident in the three lots on the Strauss & Co July 2020 Johannesburg sale. Having studied under Maurice van Essche in the 1940s and Sydney Goldblatt in the 1960s, both of whom emphasised the importance of a good structure to underlie an art work, Van der Wat naturally developed from an organic, gestural style of painting - 'her forms abstract and painterly, suspended in vague, undefined surrounding'1 - to an exploration of a post-painterly abstraction, characteristically with flat, geometric and striped compositions. Her experimentation with ceramic sculpture in the 1970s led to a return the organic, with a new 'spontaneous, humanised vigour'.2 1. Esme Berman (1983) Art & Artists of South Africa, Cape Town: AA Balkema, page 467. 2. Ibid, page 468.
Condition_report : Fly specks and minor surface dirt, otherwise good.
