A digital print on cotton rag showcasing a scene in Kinshasa, South Africa, where enthusiastic supporters of Jean-Pierre Bemba line the road as he walks to a rally from the airport. The artwork captures the energy and anticipation of the event, emphasizing the political atmosphere. Signed by the artist, this piece is part of a limited edition of five.
This artwork, part of Guy Tillim's Departure Folio, features archival pigment ink on high-quality Hahnemühle PhotoRag paper. The piece is signed and inscribed in pencil, suggesting a personal touch. The sheet size is 42 x 59.6 cm, with a total of 40 pieces, including 1 framed and 39 unframed, reflecting a modern aesthetic.
This diptych artwork by Guy Tillim showcases two significant moments in Congolese history. The left panel depicts the iconic Congo Star, symbolizing national pride, while the right panel captures Goma residents paying tribute to Laurent Kabila, reflecting a moment of solidarity and hope. The archival pigment ink on cotton paper enhances the depth and vibrancy of the scenes.
A striking black and white hand printed silver gelatin print capturing a bustling street in Dar Es Salaam. The composition features pedestrians navigating the urban landscape, with a focus on a figure carrying a large black bag. The interplay of light and shadow highlights the architectural details of the surrounding buildings, creating a dynamic sense of movement and life in the city.
This archival pigment ink artwork by Guy Tillim captures the rich greenery and diverse flora of the Botanical Gardens in Maputo, Mozambique. The piece is printed on high-quality cotton rag paper, showcasing the intricate details and colors of the plants, inviting viewers to experience the beauty of this natural setting.
This artwork captures the essence of Mai Mai militia members engaged in training near Beni, Eastern DRC, in December 2002. The archival pigment inks on 100% cotton rag paper highlight the intensity and determination of the soldiers preparing for immediate deployment. The composition likely emphasizes the somber atmosphere and the gravity of their situation, reflecting the complexities of conflict in the region.
This diptych by Guy Tillim showcases two powerful images: on the left, a depiction of The Congo Star, and on the right, Goma residents paying tribute to Laurent Kabila. The artwork, created using archival pigment inks on cotton rag paper, measures 61 x 156 cm, capturing the essence of Congolese identity and history.
This digital print by Guy Tillim features a juxtaposition of a mission station and a hotel bed in Goma, capturing themes of accommodation and cultural intersection. The artwork, signed and numbered 2/5, measures 61 by 159 cm and showcases the artist's exploration of space and identity in a contemporary context.
This archival pigment ink artwork captures the Mai Mai militia in training near Beni, Eastern Democratic Republic of Congo, in December 2002. The scene likely features armed individuals preparing for deployment, set against a backdrop that reflects the tension and urgency of military life. The piece is signed and inscribed, emphasizing its limited edition status.
This artwork features three portraits of individuals named Mateus Chitangenda, Fernando Chitala, and Enoke Chisingi, created by South African artist Guy Tillim. The archival pigment ink on 300g cotton rag paper captures intricate details and textures, reflecting the subjects' personalities and cultural backgrounds. The piece is signed, dated, and numbered, emphasizing its limited edition status.
This artwork features a portrait of four sisters, Bertha Chquia, Jamba Rosa, Louisa Vuyuyu, and Maria Namunga. The piece captures their distinct personalities and cultural heritage, likely depicted in vibrant colors and intricate details, printed using archival pigment inks on high-quality cotton paper.
This artwork features an apartment building located on Avenue Bagamoyo in Beira, Mozambique, taken by South African artist Guy Tillim in 2008. The piece is printed using archival pigment ink on cotton rag paper, showcasing the architectural details and urban landscape of the area. The work is signed and numbered, with a pencil inscription indicating 'Beira, 2007' along the bottom margin.
This digital print by Guy Tillim captures the essence of two brothers, Bernado Sayovo and Horacio Chikambe, in their environment in Kunhinga, Angola. The artwork, signed and dated 2002, showcases the subjects in a moment of connection, emphasizing their relationship against a backdrop that reflects their cultural context.
This collection features three signed photography volumes by Guy Tillim, highlighting urban landscapes and historical narratives. The hardback and softback editions include striking imagery from Johannesburg, Leopold and Mobutu, and Avenue Patrice Lumumba, reflecting Tillim's exploration of African identity and history through photography.
This artwork features a striking portrait of Mai Mai militia members engaged in training, showcasing their expressions and attire. Created by South African artist Guy Tillim in 2002, the piece is printed using archival pigment ink on high-quality cotton paper, emphasizing the details and textures of the subjects.
Portrait VI, Mai captures a member of the Mai Mai militia in training, reflecting themes of resilience and strength. The artwork, created by South African artist Guy Tillim in 2002, utilizes archival pigment ink on coated cotton paper, emphasizing the subject's determination and the cultural context of the militia.
This artwork by Guy Tillim showcases a diptych consisting of two photographs. On the left, the Congo Star, which adorned the Congolese flag during the Leopold era, is displayed at the Military Museum in Brussels. On the right, Goma residents are seen saluting Laurent Kabila after his army captured the city in 1997, capturing a moment of historical significance.
This archival pigment print by Guy Tillim features a group of young refugees in Kuito, Angola, highlighting their resilience and the impact of conflict. The work is framed and signed, dated 2002, and part of a limited edition of 12, emphasizing its artistic and historical significance.
The cover of 'Congo Democratic' by Guy Tillim showcases vibrant color photographs that capture the essence of the Democratic Republic of Congo. The artwork is presented in an original edition from 2006, featuring a visually striking design and includes a handwritten signature from the artist, adding a personal touch to the publication.
This artwork features a portrait of Feliciano Sachova and Marcolino Kosenge, part of the Kunhinga series by South African artist Guy Tillim. The piece is a pigment print on cotton paper, signed and numbered, capturing the essence of its subjects in a thoughtful composition.
A poignant photograph by Guy Tillim depicting displaced individuals in a shelter they constructed near Keren, Eritrea, amidst the backdrop of the Eritrea/Ethiopia War in May 2000. The image captures the resilience and struggle of those affected by conflict, highlighting the human experience in times of crisis.
This archival pigment print by Guy Tillim showcases the rich greenery and diverse flora of the Botanical Gardens in Maputo, Mozambique. The artwork, created in 2007, features a harmonious blend of colors and textures, inviting viewers to immerse themselves in the serene beauty of this natural setting.
This digital print by Guy Tillim explores the themes of accommodation and cultural juxtaposition, featuring a mission station and a hotel bed in Goma. The artwork likely captures the essence of the region's history and societal dynamics, using pigment dyes to enhance the visual narrative.
This artwork features a portrait of brothers Bernado Sayovo and Horacio Chikambe, captured by South African artist Guy Tillim in 2002. The pigment print is characterized by its vibrant colors and detailed representation, signed, titled, and numbered 2/12 in pencil. The dimensions of the sheet are 60 x 76 cm.
This artwork by Guy Tillim showcases a colorful pigment print depicting two women, Eugenia Namukundu and Rafaela Catimba, in an intimate and engaging pose. The print is signed, titled, and dated, measuring 60 x 76 cm, reflecting the artist's focus on human connection and cultural identity.
This colorful pigment print by Guy Tillim captures a poignant family moment, showcasing Fiorinda Ngoma alongside her mother, Rosalia Nahamba, who cradles baby Filomena Lasinda, and her sister, Rosali Sindali, holding baby Guerra. The composition reflects familial bonds and cultural richness, rendered in a striking visual style.
This archival digital print by South African artist Guy Tillim captures the essence of Sophia Salala and Ermalinda Chinhanala in a rich Angolan landscape. Signed and numbered, the artwork reflects a moment from 2002, showcasing the subjects in a dynamic composition that highlights their cultural context.
This diptych by Guy Tillim captures the remains of Mobutu Sese Seko's palace at Gbadolite, highlighting the themes of decay and the passage of power. The artwork, created in 2003 using archival pigment ink on cotton paper, presents a stark visual narrative of a once-magnificent structure now in ruins, inviting reflection on history and legacy.
This diptych by South African artist Guy Tillim, part of the Leopold and Mobutu series, showcases two distinct yet interconnected images. Each piece measures 47.5 by 73 cm, printed with archival pigment ink on high-quality cotton paper. The work is signed and numbered 5/5, reflecting Tillim's exploration of historical and political narratives.
Guy Tillim's Departure Series consists of three archival pigment prints on cotton rag paper, each measuring 48.5 by 73 cm. The prints are signed and numbered, capturing poignant moments that invite reflection and exploration of themes related to departure and transition.
This artwork features a portrait of two women, Eugenia Namukundu and Rafaela Catimba, embodying the rich cultural heritage of Kunhinga in Angola. The piece is a pigment print on cotton paper, showcasing intricate details and textures that reflect the subjects' identities and surroundings.
This artwork, 'Portrait III' by Guy Tillim, features a child soldier dressed in camouflage gear, symbolizing the harsh realities of conflict. The piece is rendered using archival pigment ink on coated cotton paper, showcasing the emotional weight of youth in military training. Exhibited in prominent galleries, it reflects on themes of war and innocence.
This artwork features a poignant portrait of a child soldier from the Mai Mai militia, emphasizing the innocence lost in conflict. The child is depicted with an object that remains unexamined outside the frame, highlighting the harsh realities of war. The archival pigment ink on coated cotton paper adds depth to the emotional impact of the piece.
The artwork features a statue of Henry Stanley, historically significant for its connection to colonialism, perched on a steamboat. This steamboat belonged to the African International Association, an organization masking its exploitative intentions under the guise of philanthropy. The statue, removed during the Mobutu era in the 1970s, reflects the complex history of colonialism and Africanisation in Kinshasa.
This artwork features a photograph of the Athénée Royal High School located in Lubumbashi, DR Congo, part of Guy Tillim's Avenue Patrice Lumumba series. The piece is characterized by its archival pigment ink on cotton rag paper, signed and dated 2007, reflecting Tillim's exploration of urban landscapes and cultural narratives.
This artwork features a portrait of four individuals, Emily, Alefa, Gloria Banda, and Muyeso Makawa, from Petros Village in Malawi. Created by South African artist Guy Tillim in 2006, the pigment print on cotton paper showcases the subjects in a candid and intimate manner, reflecting their cultural context.
This artwork features a portrait of four individuals from Angola, likely reflecting their cultural heritage through traditional attire and expressions. The archival pigment inks on coated cotton paper enhance the vividness of their features and surroundings, creating a striking visual narrative. The piece is signed and numbered, indicating its limited edition status.
Springlands, created by Guy Tillim in 1997, showcases a vivid landscape of Guyana, rendered with archival pigment inks on high-quality coated cotton paper. The artwork likely reflects the lush greenery and natural beauty of the region, inviting viewers to immerse themselves in its serene environment.
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