A striking monochromatic piece created with Indian ink and pastel on paper, depicting a standing figure with a contemplative pose. The artwork features drips of ink that enhance its emotional depth, alongside text that reads 'what would omniscience be to self regard'. The composition evokes a sense of introspection and moral inquiry.
This mixed media piece titled 'Unbound' showcases a lion intertwined with a horn, rendered in rich reds and golds against a dark backdrop. The composition evokes a sense of intensity and emotion, with intricate textures and layered techniques that highlight the lion's fierce expression and the horn's ornate details.
This mixed media artwork showcases a powerful galloping horse with a rider, rendered in a blend of earthy tones and textured layers. The dynamic composition conveys movement and energy, with gold accents enhancing the sense of vitality. The use of mixed media on paper adds depth and complexity, creating a striking visual experience.
The sculpture 'MacE I' by Deborah Bell is a striking bronze piece measuring 235 x 16 x 12 cm. It features a tall, slender silhouette with detailed textures and a polished finish, reflecting the artist's unique style. Accompanied by a certificate of authenticity signed by the artist, this work embodies contemporary sculpture from South Africa.
This artwork, titled 'Museum Solstice' by Deborah Bell, features a blend of charcoal, pastel, ink, and watercolour on paper. The piece likely showcases abstract forms and intricate textures, rendered in a harmonious palette of muted colors. Signed and dated by the artist, it is part of the Alchemical Suite and framed elegantly.
Deborah Bell's 'Sentinel' is a captivating artwork created with watercolour and charcoal on paper. The piece showcases abstract forms and dynamic lines, evoking a sense of presence and watchfulness. The dimensions of the work are 199 x 61.5 cm, framed to a size of 217.5 x 79.5 x 4.5 cm, and it is signed and dated by the artist in the bottom right corner.
Deborah Bell's 'Archaeus' is a mixed media artwork created in 2008, showcasing abstract forms and intricate textures on paper. The piece, measuring 60 by 65.5 cm, reflects the artist's unique style, likely incorporating elements of South African culture and symbolism.
Chimaera, created by South African artist Deborah Bell in 2008, is a mixed media artwork on paper measuring 60 by 80 cm. The piece likely combines abstract shapes and vivid colors, reflecting Bell's unique artistic style and exploration of form and texture.
Crying Pot is a 72.5 cm tall terracotta sculpture by Deborah Bell, featuring an unglazed surface and a striking form that conveys deep emotional resonance. The piece, influenced by the Truth and Reconciliation hearings in South Africa, combines elements of fat, wax, and charcoal, suggesting themes of sorrow and healing.
Deborah Bell's pastel artwork 'Against The Wall' showcases a blend of abstract forms and soft, muted colors. The piece, created in 1990, is signed and inscribed on the reverse, measuring 67 by 56 cm. The composition likely evokes a sense of depth and emotion, inviting viewers to explore its nuances.
Deborah Bell's etching 'Saskia' showcases a finely detailed composition, reflecting the artist's unique style. The artwork is signed and dated 1994, with a plate size of 51 by 57 cm. The piece is part of a limited edition, numbered 40 out of 45, and inscribed with its title in pencil, hinting at a thoughtful and meticulous artistic process.
Deborah Bell's 'Red Lovers' is a captivating oil painting on card, characterized by its vibrant red hues and abstract forms that evoke emotion and intimacy. The artwork measures 63 by 46 cm, creating a striking presence both with and without its frame. The dynamic interplay of colors and shapes invites viewers to explore themes of love and connection.
Deborah Bell's watercolor artwork 'The Lovers' features an intimate and tender portrayal of two figures, likely embracing or sharing a moment of connection. The soft hues and fluid brushstrokes typical of watercolor create a dreamlike atmosphere, emphasizing the emotional bond between the subjects. The piece is framed, enhancing its presentation.
Deborah Bell's 'Little Morals, Eight' consists of eight signed etchings, each measuring 32.5 by 44 cm. Created in 1990, these artworks explore moral themes through detailed imagery, showcasing Bell's unique artistic voice and technique. Each piece is numbered and features the title in the plate.
This artwork, titled 'Marriage-A-La-Mode Series, Seven' by Deborah Bell, showcases an intricate etching and aquatint. The piece is signed and dated 1987, featuring delicate lines and textures that reflect themes of marriage and societal norms, presented in a refined composition.
The artwork 'Two Faced' by Deborah Bell is a hand-painted and glazed ceramic plate measuring 37 by 42 cm. It likely showcases intricate patterns and a duality theme, reflecting contrasting elements or perspectives in its design. The vibrant colors and detailed craftsmanship highlight the artist's skill in ceramic art.
Deborah Bell's Diary III is a signed and numbered drypoint print created in 2000, showcasing a dynamic interplay of colors and textures through the technique of color roll and chine collé. The artwork measures 119 by 88.5 cm, highlighting Bell's unique artistic expression.
Deborah Bell's 'Echo' is a signed etching from 1994, numbered 16/25. The artwork likely displays intricate lines and textures characteristic of etching techniques, capturing a unique visual narrative. The plate size measures 78 by 55 cm, emphasizing its substantial presence.
This mixed media artwork by South African artist Deborah Bell, created in 2001, likely showcases a blend of abstract forms and textures. The piece, part of the Unearthed Project, is executed on paper and measures 75 by 55 cm, reflecting Bell's unique artistic style and exploration of themes related to nature and the human experience.
This mixed media artwork by Deborah Bell, titled 'Deborah Bell 1957- Equinox', showcases a blend of abstract forms and vibrant colors. Created in 2007, it measures 60 by 57 cm without the frame and 80 by 78 by 4.5 cm with the frame. The piece reflects a dynamic interplay of textures and hues, inviting viewers to explore its intricate details.
Deborah Bell's 'Kingfisher/ Fisherking' is a drypoint etching showcasing a stylized kingfisher, rendered with fine lines and textures on handmade cotton paper. The artwork is signed and dated '07, with a limited edition number of 4/22, emphasizing its uniqueness and craftsmanship.
Deborah Bell's etchings titled 'Memory; Soare' feature delicate lines and intricate patterns, reflecting themes of memory and abstraction. Each piece is signed, dated '08', and numbered, showcasing the artist's meticulous craftsmanship and attention to detail.
Deborah Bell's etching 'Noli Me Tangere' showcases a blend of intricate lines and thoughtful composition. The artwork, signed and dated in 1992, is presented on a sheet measuring 76 by 60cm, with the plate size being 66 by 49cm. The title is inscribed in pencil, hinting at a deeper narrative.
Deborah Bell's lithograph titled 'Ulysses' showcases a blend of intricate details and textures, enhanced by the chine colle technique. The artwork is signed and numbered 17/20, with the title inscribed in pencil and an embossed Artist Proof Studio chop mark in the margin. The sheet measures 56 by 38.5 cm.
The artwork 'Deborah Margaret Bell Museum Solstice' from The Alchemical Suite by Deborah Bell is a mixed media piece that likely incorporates abstract forms and a vibrant color palette. Measuring 78 by 78.5 cm, it reflects themes of transformation and nature, inviting viewers to explore its intricate details and layered textures.
Deborah Bell's 'Odyssey Three' is a signed and dated work from 2004, showcasing a complex interplay of textures and forms typical of aquatint and drypoint techniques. The piece measures 89.5 by 69.5 cm, with a larger sheet size of 113 by 77.5 cm, and is embossed with the David Krut Workshop chopmark, indicating its craftsmanship and limited edition status.
Deborah Margaret Bell's 'Two Figures' features two abstract forms rendered in oil on handmade cardboard, signed twice and dated 1983. The artwork likely presents a vibrant interplay of colors and shapes, emphasizing the dynamic relationship between the figures within a 77 by 88 cm composition.
This bronze sculpture, featuring a silver brown patina, likely portrays a stylized figure embodying themes of nature and protection, with intricate details that suggest a connection to the earth and its creatures. The piece stands between 73 and 75 cm tall, mounted on a sturdy steel base, and showcases a harmonious blend of organic forms.
Deborah Margaret Bell's 'Displacement II' is a large-scale abstract artwork measuring 159.5 by 120 cm. The piece combines charcoal, pastel, and collage techniques, showcasing a dynamic interplay of textures and colors, likely evoking themes of displacement and identity.
This pastel artwork by Deborah Bell captures a tranquil scene of a sleeping couple, showcasing their peaceful expressions and intimate connection. The dimensions of the piece are 50 by 129.5 cm, emphasizing the closeness of the figures in a soft, dreamlike atmosphere.
Deborah Margaret Bell's 'Unearthed VI' is a striking bronze sculpture, notable for its height of 199cm and a deep brown patina that enhances its textured surface. The piece is stamped with the artist's name and is part of a limited edition, numbered 2/5, suggesting a unique and collectible work of art.
Deborah Bell's 'Unearthed I' is a striking bronze sculpture standing 187 cm tall, featuring a rich brown patina. The piece likely embodies organic shapes and textures, reflecting the artist's exploration of natural forms and themes of discovery. Stamped with the artist's name and numbered 2/5, this artwork emphasizes both craftsmanship and limited edition artistry.
Deborah Bell's 'Unearthed IV' is a striking bronze sculpture, standing at 215cm tall. It showcases a deep brown patina that enhances its textured surface. The piece is stamped with the artist's name and is part of a limited edition, numbered 2/5, suggesting a unique and collectible work of art.
Deborah Bell's 'Unearthed VII' is a striking bronze sculpture characterized by its deep brown patina. Standing at an impressive height of 211cm, the artwork likely features organic forms and textures that evoke a sense of nature and the passage of time, reflecting Bell's unique artistic vision.
Deborah Bell's 'Lamentation Canto I' is a signed artwork created in 1992 using watercolor and charcoal. The piece likely conveys deep emotion through abstract forms and muted colors, reflecting themes of lamentation. The dimensions are 150 by 120 cm, and the artist's name and title are inscribed on a label on the reverse.
Deborah Bell's 'Sentinel I' is a striking bronze sculpture featuring a rich brown patina, standing at 221cm tall on a sturdy concrete base. The artwork, signed and dated 2004, embodies a sense of watchfulness and presence, evoking themes of guardianship and strength.
Sentinel III by Deborah Bell is a striking bronze sculpture with a rich brown patina, standing at 228.5 cm tall on a sturdy concrete base. The piece, signed and dated 2004, showcases an abstract form that evokes a sense of watchfulness and presence, characteristic of Bell's artistic exploration of form and material.
This mixed media artwork titled 'Altar Piece' by Deborah Margaret Bell showcases a blend of abstract forms and vibrant colors. Measuring 80 by 120 cm, the piece is signed and dated 1997, suggesting a contemporary style that invites viewers to explore its intricate layers and textures.
Sentinel VII is a striking bronze sculpture by Deborah Bell, standing at 247.5 cm tall, excluding its concrete base. The artwork features a rich brown patina, giving it a warm, earthy appearance. The piece is signed and dated 2004, and is part of a limited edition of 5, showcasing Bell's unique artistic vision.
Deborah Margaret Bell's 'Sentinel IX' is a striking bronze sculpture featuring a rich brown patina. The artwork stands impressively at 253.5 cm tall, excluding its concrete base, and is signed and dated 2004. The sculpture likely embodies themes of guardianship or watchfulness, reflecting its title 'Sentinel'.
Deborah Bell's etching 'Little Morals, Eight' features a composition of delicate lines and abstract shapes, likely exploring themes of morality and human experience. The artwork is presented in a frame, enhancing its visual impact. The dimensions suggest a medium-sized piece that invites close observation.
In 'To The Other Side,' Deborah Bell employs a vivid color palette and abstract shapes, creating a dynamic composition. The artwork is presented in a unique, handmade frame, enhancing its artistic value. Signed and dated in Paris in 1986, it reflects Bell's distinctive style and craftsmanship.
Deborah Bell's artwork 'East - Edge Of The World' showcases a blend of charcoal, pastel, and wash techniques. The piece likely presents abstract landscapes, evoking a sense of vastness and exploration, with a focus on the interplay of light and shadow. Signed and dated 2004/5, it measures 120 by 72 cm.
This artwork, titled 'Those Who Come Before Us' by Deborah Margaret Bell, features a blend of charcoal, pastel, and wash techniques. It explores themes of ancestry and legacy, likely incorporating abstract or figurative elements that evoke a sense of history and connection to the past.
Deborah Bell's 'Shaman' is a mixed media artwork that explores themes of spirituality and power through intricate imagery. The piece likely incorporates elements inspired by various cultures and mythologies, reflecting the artist's deep engagement with historical narratives and the role of the Shaman as a spiritual intermediary.
Deborah Bell's 'Custodians' consists of two bronze sculptures, each with a silver brown patina. The figures, signed and numbered 6/12, are mounted on a steel base, showcasing a blend of organic forms and abstract elements. The artwork reflects themes of nature and guardianship, with a height of 75.5 cm excluding the base and 91.5 cm including it.
Deborah Bell's 'Road to Damascus' is a mixed media artwork on paper, measuring 123 by 190 cm. The piece likely showcases abstract forms and a dynamic interplay of colors, reflecting a journey or transformation, inspired by the biblical narrative of the Road to Damascus.
In 'The Lovers', Deborah Bell captures the complex emotions of desire and fear through a mixed media portrayal of a couple in an embrace. The woman twists away from the man, illustrating the tension between longing for connection and the anxiety of intrusion, characteristic of Bell's work from the mid-1980s.
Deborah Bell's 'Sentinel Figure' is a mixed media artwork on paper, measuring 158 by 121.5 cm. The piece likely depicts a stylized figure that embodies themes of guardianship or observation, reflecting Bell's unique artistic approach.
This striking ceramic vessel by Deborah Bell stands at 33 cm tall, showcasing a unique raku-fired technique. The surface is adorned with intricate incised designs and vibrant painted elements, reflecting a blend of artistry and craftsmanship that highlights the beauty of ceramic art.
Deborah Bell's etching 'The Ocean Is Becoming The Fish' presents an abstract interpretation of oceanic life, likely incorporating fluid forms and intricate details that evoke the relationship between the sea and its inhabitants. The artwork's dimensions suggest a large, immersive piece that invites viewers to explore the depths of its themes.
Deborah Margaret Bell's 'Shining Through The Shadows' is a hand-coloured dry point etching that captures a delicate interplay of light and shadow. The artwork, signed and dated '99, showcases intricate details and a thoughtful composition, inviting viewers to explore its depth and texture.
Deborah Bell's artwork 'Thunder' features a dynamic composition characterized by bold lines and vibrant colors. The piece, created using drypoint and hand painting techniques, measures 64.5 by 49 cm and is part of a limited edition of 20. It is signed, dated '06, and includes an embossed chop mark from the David Krut Print Workshop.
This artwork is a ceramic plate with a diameter of 23 cm, showcasing a stylized depiction of a woman's head. The surface is intricately painted and incised, with a glazed finish that enhances its visual appeal. The plate is framed, measuring 40 by 40 by 6.5 cm, adding a contemporary touch to the piece.
Deborah Bell's pastel artwork 'Awakening The Motherland' showcases a dynamic interplay of colors and abstract shapes, reflecting themes of nature and identity. Created in 1989, this piece measures 57.5 by 158.5 cm and is signed by the artist, emphasizing its unique artistic expression.
In 'Crossing,' Deborah Bell employs drypoint techniques to create a striking composition characterized by abstract forms and rich textures. The artwork, signed and dated 2004, reflects Bell's unique style, emphasizing depth and movement. The piece is part of a limited edition, showcasing her mastery in printmaking.
Deborah Bell's 'Presence' is a mixed media artwork on paper, showcasing a blend of abstract forms and textures. The piece, signed and dated 2008, measures 53 by 75.5 cm, likely conveying a sense of depth and emotion through its intricate layering and use of color.
Deborah Bell's 'The Swing' is an expressive oil painting on cottonwool paper, showcasing a dynamic figure in motion, likely swinging. The artwork, executed circa 1986, is inscribed with the title and 'Portrait of Susan Bristow' on the reverse, emphasizing its personal connection. The piece is laid down on board, measuring 54 by 77 cm.
Deborah Bell's 'Diary I' is a striking drypoint artwork created in 2000, showcasing a blend of color rolls and chine-collé on two sheets. The piece, signed and numbered 15/15, likely features abstract or organic forms, reflecting Bell's unique artistic style and connection to her South African heritage.
This mixed media artwork titled 'Fuse' by South African artist Deborah Bell showcases a dynamic composition with abstract forms and a vibrant color palette. Signed and dated 2008, it reflects Bell's unique artistic style, emphasizing fluidity and movement. The piece was exhibited at Goodman Gallery in Cape Town in January 2009.
Deborah Bell's mixed media artwork 'Eternity' features a blend of abstract forms and textures, reflecting her unique artistic style. Created in 2008, this piece measures 56 by 75.5 cm and was exhibited at the Goodman Gallery in Cape Town. The work likely incorporates a variety of materials, emphasizing depth and complexity.
The Oracle, created by South African artist Deborah Bell, is a sugarlift aquatint and spitbite aquatint artwork. It likely presents a blend of abstract forms and textures, characterized by a delicate interplay of light and shadow, reflecting Bell's unique artistic style. The piece is signed and numbered, indicating its limited edition status.
This artwork, titled 'Diary I' by South African artist Deborah Margaret Bell, is a diptych created in 2000. It showcases a combination of drypoint with color roll and chine-collé techniques. Each sheet measures 117 by 88.5 cm and features detailed inscriptions in pencil, enhancing its artistic depth.
This mixed media artwork titled 'Liberty' by South African artist Deborah Bell features an array of abstract forms and vibrant colors, likely conveying themes of freedom and expression. Created in 2005, the piece measures 159 by 60 cm and is signed and inscribed by the artist.
This oil on canvas artwork titled 'Waiting For The Miracle To Come – John The Baptist' features a serene portrayal of John the Baptist, likely set against a dramatic background that enhances the sense of anticipation. The painting's dimensions suggest a significant presence, inviting viewers to engage with the emotional depth of the scene.
The artwork 'Crying Pot' by Deborah Bell is a striking terracotta sculpture, standing at 71 cm tall. It showcases a unique blend of kiln and pit firing techniques, resulting in a textured surface that appears weathered and organic. The use of fat, wax, wire, and charcoal adds depth and complexity, evoking emotions and inviting contemplation.
This oil on canvas artwork, 'Waiting For The Miracle To Come – Joan Of Arc' by Deborah Bell, features the historical figure of Joan of Arc, likely portrayed in a moment of contemplation or anticipation. The painting's dimensions suggest a significant presence, inviting viewers to connect with the emotional depth of Joan's story.
Deborah Bell's 'Divination' is a striking mixed media piece on paper, measuring 160 by 60 cm. The artwork likely showcases a blend of abstract forms and intricate textures, inviting viewers to explore themes of intuition and foresight. The framing dimensions suggest a substantial presence, enhancing its visual impact.
Deborah Bell's 'Negotiations Take Place' is a dynamic mixed media piece created in 1997. It combines gouache, collage, charcoal, and pastel on watercolour paper, showcasing a rich interplay of colors and textures. The artwork measures 150 by 113 cm, likely presenting an abstract or expressive composition that invites viewer interpretation.
Deborah Bell's 'Crossing I, Forgotten Gods' is a mixed media artwork on paper, measuring 160 by 120 cm. The piece likely showcases abstract forms and textures, evoking themes of memory and mythology, as suggested by its title and inscription. Created in 2004, it reflects a contemporary artistic approach.
Deborah Bell's 'Lamentation Canto I' is a significant artwork created in 1992, featuring a blend of watercolour and charcoal techniques. The piece likely explores themes of lamentation, with expressive forms and a rich interplay of colors and textures, measuring 150 by 120 cm.
Deborah Bell's 'Warrior II' is a striking mixed media artwork on paper, signed in 2004. The piece likely showcases bold, dynamic forms and a vibrant color palette, reflecting themes of strength and resilience. Measuring 179 by 113 cm, it captures the viewer's attention with its expressive composition.
Deborah Bell's 'Diary IV' is a striking drypoint artwork characterized by its intricate patterns and a rich color palette. Created in 2000, this piece is part of a limited edition of 20, showcasing Bell's unique artistic style and technique. The work measures 120.5 by 88 cm and is inscribed with the title in pencil, reflecting a blend of traditional and contemporary artistic elements.
This impressive bronze sculpture, 'Hieros Gamos' by South African artist Deborah Bell, features a height of 211cm. The artwork likely embodies themes of unity and duality, reflecting the title's meaning of 'sacred marriage'. The intricate details and form suggest a blend of abstract and figurative elements.
This artwork features a detailed representation of a camera mounted on a tripod, accompanied by a drawing board. The use of white chalk and charcoal on black paper creates a striking contrast, emphasizing the shapes and textures of the objects. The dimensions of the piece are 48 by 68 cm, showcasing a thoughtful composition that highlights the tools of artistic creation.
The sculpture 'Conjunction' by Deborah Bell features a striking design in bronze with a sophisticated black patina. Standing at 128cm tall, including its base, it has a width of 46cm and a depth of 70cm. The piece likely embodies a harmonious blend of form and texture, inviting viewers to explore its intricate details and the interplay of light on its surface.
This mixed media artwork, titled 'Deborah Margaret Bell Ararat' and created by Deborah Bell in 2004, likely showcases a blend of abstract forms and vibrant colors, reflecting the artist's unique style. The dimensions of the piece are 63 by 120 cm, suggesting a large, impactful presence.
La classifica mondiale dell'arte contemporanea2016 38th/100
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