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Consulter la cote et le prix de Tribute to Cecil Skotnes par Sam Nhlengethwa


 En ligne
Sam Nhlengethwa né en 1955
À propos du lot n° 399
Tribute to Cecil Skotnes
Medium: eight colour lithograph
Dimensions : 57 by 76,5cm excluding frame, 71,5 by 91 by 3,5cm including frame
Signature: signed, dated '11, numbered 39/50, inscribed with the title in pencil and embossed with The Artists' Press chopmark in the margin
Estimations(basse-haute) : 18000 ZAR-24000 ZAR 🔓Accès libre sans carte bancaire.
Strauss & Co, Salle de vente 🔓Accès libre sans carte bancaire.

Titre de la vente : Modern, Post-War and Contemporary Art, Decorative Arts, Jewellery and Wine Online-Only Auction 🔓Accès libre sans carte bancaire.
Date de la vente : 22/02/2021 🔓Accès libre sans carte bancaire.
Référence de l'enchère : Online sale

Notes : The lithographs in lots 344, 398 and 399 pay tribute to three giants of the art world, Henri Matisse, Cecil Skotnes, and Mmakgabo Mmapula Helen Sebidi. Instead of using conventional perspective, Nhlengethwa abstracts and flattens space, patterning and overlapping planes in a clean and sharp manner to transport the viewer into a still space of aesthetic harmony. Unconventionally, he depicts an artwork within each artwork. The flat swathes of colour on the walls and furniture in the scenes contrast with the depictions of identifiable works by Matisse, Skotnes and Sebidi that appear to hang on the walls. These are the busiest elements of the artworks, which makes them the focal points. The artist’s Tribute series (2008–2014) has recently been extended in Interiors Continued, where the artist creates further painting-collages in tribute to great artists and musicians. Nhlengethwa worked as a set designer for the SABC (South African Broadcasting Corporation) for 13 years, and that experience is a contributing factor in this series. He says, ‘we were dealing with space – vacated space. The tributes ape that empty space, but with the hanging paintings of these specific individuals, they are injected with a sense of vibrancy.’1 These works remind us of the importance of culture in our spaces – without art, our lives and our spaces would be empty, and rather mundane! Nhlengethwa has an extensive oeuvre, spanning over three decades and is known to be captivated by downtown Johannesburg: he has documented, in lithography, painting, collage, and a combination of all these media, the city’s many personas, its jazz scene, nightlife, struggle and strife, in a very distinct artistic language. He studied at Rorke’s Drift Art and Craft Centre in the 70s, and later the Johannesburg Art Foundation. He was awarded the Standard Bank Young Artist Award in 1994 and his work have since become widely known, in South Africa and internationally. 1. Sam Nhlengethwa (2020) Interiors Continued, Press Release, Goodman Gallery, London, https://www.goodman-gallery.com/exhibitions/london-gallery-sam-nhlegethwa-interiors-continued Cheriese Dilrajh

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