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Consulter la cote et le prix de Mahi Binebine; Moroccan 1959-; Figure Curled into the Fetal Position par Mahi Binebine


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Mahi Binebine né en 1959
À propos du lot n° 184
Mahi Binebine; Moroccan 1959-; Figure Curled into the Fetal Position
Medium: wax and pigment on wood
Dimensions : 160 by 140cm excluding frame 169 by 148,5 by 6cm including frame
Édition:
Signature:
Prix: 4 400.00 USD 🔓Accès libre sans carte bancaire.
Estimations(basse-haute) : 80000 ZAR-120000 ZAR 🔓Accès libre sans carte bancaire.
Strauss & Co, Salle de vente 🔓Accès libre sans carte bancaire.
,Lieu de la vente : Cape Town, Western Cape, ZA
Titre de la vente : Perspectives on Africa - Session One 🔓Accès libre sans carte bancaire.
Date de la vente : 17/02/2025 🔓Accès libre sans carte bancaire.
Référence de l'enchère : EHNL2VDTZF Online sale

Provenance : Acquired from the artist by the current owner.
Exhibited :
Literature :
Notes : Mahi Binebine's work occupies a space where the deeply personal and the profoundly political intersect. The centeral composition of the present lot features a figure coiled into the fetal position. This universal gesture of vulnerability and self-protection suggests a return to origins, evoking themes of birth, trauma, and rebirth. The figure's placement within the expansive composition suggests isolation, but also openness. It is as though the figure is caught in a liminal space, a moment of introspection or suspension. This ambiguity invites viewers to reflect on their own states of vulnerability, drawing attention to the ways in which individual pain resonates within broader human experiences. Below the figure, a horizontal panel of disembodied heads and hands introduces a dynamic interplay of forms and gestures. These fragmented body parts, rendered without hair or distinguishing features, create a sense of anonymity and universality. The hands, in various positions - open, clenched, reaching - speak to a range of emotional states: supplication, resistance, and solidarity. The heads become symbols of humanity stripped to its essence. Binebine's work is deeply informed by his Moroccan heritage and his engagement with themes of exile, displacement, and resilience. The present lot, with its juxtaposition of the individual and the collective, speaks to universal human experiences - the weight of history and the collective struggle for survival and recognition. The absence of personal markers on the figure further emphasizes their universality, inviting viewers to see themselves within the composition. At the same time, the work's tactile details and layered textures ground it in the specific, the material, and the visceral.1 1 Stella de Bagneux (no date) Stella Gallery, An Atypical Course, online, https://www.stella-gallery.com/artist/mahi-binebine/?accepter=1, accessed 20 January 2025.
Condition_report :

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