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Consulter la cote et le prix de Fabian Mpagi (Ugandan, 1953 - 2002) Man in a Hat, 1998 par Fabian Mpagi


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Fabian Mpagi né en 1963
À propos du lot n° 38
Fabian Mpagi (Ugandan, 1953 - 2002) Man in a Hat, 1998 ,1998
Medium: Graphite on paper
Dimensions : 28.6 x 25.1 cm
Édition:
Signature:
Prix: 800.00 USD 🔓Accès libre sans carte bancaire.
Estimations(basse-haute) : 800 USD-1500 USD 🔓Accès libre sans carte bancaire.
art auction east africa, Salle de vente 🔓Accès libre sans carte bancaire.
,Lieu de la vente : Nairobi, Nairobi, KE
Titre de la vente : Art Auction East Africa 2023 - Modern and Contemporary Art from Eastern Africa 🔓Accès libre sans carte bancaire.
Date de la vente : 15/11/2023 🔓Accès libre sans carte bancaire.
Référence de l'enchère : AM290ALGWB Online sale

Provenance : Private collection
Exhibited :
Literature :
Notes : An astute draughtsman with a delicate touch, Fabian Mpagi is recognised as one of Uganda’s most refined An astute draughtsman with a delicate touch, Fabian Mpagi is recognised as one of Uganda’s most refined painters. Using rhythmic chromatic difference, Mpagi’s paintings create a sense of both shattered light and imaginative space. He was influenced by traditional Buganda fables, particularly the legendary creation myth of Kintu and Nnambi, and strove with his use of colour to evoke their mystery. In a 1994 interview, Mpagi explains, ‘my interest was in the universal concerns of man–both pleasure and pain–so I studied the hidden values of spiritual abstraction’. After graduating from the Margaret Trowell School of Industrial and Fine Art in Kampala in 1976, Mpagi returned to the university as a postgraduate student and teaching assistant. In 1983 he received a scholarship to study in Florence, Italy. On his return, Mpagi went into political exile in Kenya, where he set up a studio and his artistic career flourished. He won the Habitat Art Competition in 1987 and was awarded a four-month artist residency in Paris. The following year Mpagi returned to Uganda and shortly became the director of the Nommo Gallery, from which he eventually resigned in 1998 in order to devote time to his art. (Lampert C, Havell J (eds). Seven Stories About Modern Art in Africa. London: Whitechapel Gallery, 1995.)
Condition_report :

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