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Consulter la cote et le prix de Athi-Patra Ruga, South African 1984-, The Future White Woman of Azania II par Athi Patra Ruga


Athi Patra Ruga né en 1984
À propos du lot n° 93
Athi-Patra Ruga, South African 1984-, The Future White Woman of Azania II ,2012
Medium: archival ink-jet print on Hahnemuhle paper
Dimensions : image size: 119,5 by 79,5cm, 143,5 by 103,5 by 6cm including frame Prix: 11 284.82 USD 🔓Accès libre sans carte bancaire.
Estimations(basse-haute) : 180000 ZAR-240000.0 ZAR 🔓Accès libre sans carte bancaire.
Strauss & Co, Salle de vente 🔓Accès libre sans carte bancaire.

Titre de la vente : Curatorial Voices: Modern and Contemporary Art from Africa - Session One 🔓Accès libre sans carte bancaire.
Date de la vente : 28/02/2023 🔓Accès libre sans carte bancaire.
Référence de l'enchère : Live Sale

Provenance : WHATIFTHEWORLD, Cape Town, 2014. Property of Collectors.
Literature : What if the World Gallery (2013) Athi-Patra Ruga: The Works 2006-2013, exhibition catalogue, Cape Town: What if the World Gallery, illustrated in colour on page 31.
Notes : Athi-Patra Ruga is one of the few artists working in South Africa today whose work has adopted the trope of myth as a contemporary response to the post-Apartheid era. Ruga creates alternative identities and uses these avatars to parody and critique the existing political and social status quo. Ruga's artistic approach of creating myths and alternate realities is in some way an attempt to view the traumas of the last 200 years of colonial history from a place of detachment - at a farsighted distance where wounds can be contemplated outside of personalized grief and subjective defensiveness. The philosophical allure and allegorical value of utopia has been central to Ruga's practice. His construction of a mythical universe populated by characters that he has created and depicted in his work has allowed Ruga to create an interesting space of self-reflexivity in which political, cultural, and social systems can be critiqued and parodied. Ruga has used his utopia as a lens to process the fraught history of a colonial past, to critique the present and propose a possible humanist vision for the future.

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