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Consulter la cote et le prix de (Africa.) Divination. Yoruba Diviner'S Carved Wooden Plate, Ivory Pointer And Necklace Of 19Th Century Ceremonial Glass Trade Beads



Description : (AFRICA.) DIVINATION. Yoruba diviner's carved wooden plate, ivory pointer and necklace of 19th century ceremonial glass trade beads, used in the ritual. With a custom made stand. The carved wooden plate, 15 x 12-1/2 inches with three faces on the top edge, the ivory pointer, 8-1/2 inches long tapering from one inch to a fine point, and the diviner's chain or necklace consisting of 18 large, oval milk glass beads, connected by a series of 16 groups of small, fine glass beads in tassels, each end of the necklace is attached to a finely polished pit of some sort of fruit (possibly peach.) Western Nigeria, first quarter of the 20th century
Prix: 0.00 USD 🔓Accès libre sans carte bancaire.
Estimations(basse-haute) : 5000 USD-7500 USD 🔓Accès libre sans carte bancaire.

À propos du lot n° 164
Titre : (Africa.) Divination. Yoruba Diviner'S Carved Wooden Plate, Ivory Pointer And Necklace Of 19Th Century Ceremonial Glass Trade Beads
Dimensions : 15 x 12-1/2 inches
Notes : Divining or telling the future, or interpreting the present or past, is a custom common to almost every so-called primitive culture. In Africa, divination is an important part of every day life: When should I build my house, will I have a son or a daughter, why have I not prospered, or sometimes more sinister, is 'so and so' a witch? There are all manner of divining instruments, but the present one is the most common to the Ifa tradition of the Yoruba of Western Nigeria. The Babalawo, or Diviner would typically take a handful of bones, teeth, bits of glass, cowries, seeds and other material, shake them up, and toss it all on the plate (the opon Ifa). This plate usually has the face or faces of Eshu the messenger, sometimes called the trickster carved on its edge (as does the present plate). He would then interpret the form that the material had taken, and using the ivory pointer, would indicate to the client what the position of each thing on the board meant. The reverse side of this type of board has another, smaller area in its center. If something unpleasant, sinister or actually evil presents itself, the Babalawo would then toss the material on this side. For examples like this plate see John Henry Drewel, Yoruba, Nine Centuries of African Art and Thought (Center for African Art, Abrams, 1989).
Swann Auction Galleries, Salle de vente , New York, US 🔓Accès libre sans carte bancaire.
Titre de la vente : PRINTED & MANUSCRIPT AFRICAN-AMERICANA
Date de la vente : 21/03/2013 🔓Accès libre sans carte bancaire.
Référence de l'enchère : Live Sale

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