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Descrizione : Persian, and Islamic Art and Archaeology, dating from (1905-1995), comprising: 31 Volumes of Iran. Journal of the British Institute of Persian Studies, Vols. I-XXXI (1963-1993), a complete run, with hundreds of articles on every aspect of Near Eastern and Persian art and archaeology, profusely illustrated, original stiff wraps, from the library of the late Professor J.M. Cook; 5000 Ans d 'Art Egyptien (Brussels, Palais des Beaux-Arts Exhibition Catalogue 1960), 97 illustrations, original stiff wraps; A.M. Lythgoe, A.C. Mace, H.E. Wimlock, and C.L. Ransom, A Handbook of the Egyptian Rooms at the Metropolitan Museum of Art (New York 1911), 70 illustrations, buckram; M.G. Maspero, Sur un Fragment de Statuette Thebaine (Paris 1905), 2 plates, original wraps, bound together with other works in La Revue de L 'Art Ancien et Moderne, Vol. XVII: 99; E.R. Russmann, Two Royal Heads of the Late Period in Brooklyn (New York 1969), 18 illustrations, original buckram, bound together with other works, including B.V. Bothmer, Bemused and Benign: A Fragmentary Head of Dynasty XIII in Brooklyn, S. Sauneron, The Wilbour Papyri in Brooklyn: A Progress Report and B.F. Cook, A Dated Hadra Vase in the Brooklyn Museum, in The Brooklyn Museum Annual, Vol. X, 1968-1969; I.E.S. Edwards and others, The Treasures of Tutankhamun (New York, Metropolitan Museum of Art Exhibition Catalogue 1976), 33 color plates and numerous text illustrations, original stiff wraps; C. K. Wilkinson, Egyptian Wall Paintings: The Metropolitan Museum 's Collection of Facsimiles (New York 1979), 65 plates, mostly in color; Ancient Jewellery from the Near East and Egypt (Zurich, Nefer Gallery Exhibition Catalogue 1993), 81 color plates, original stiff wraps; M. D 'Alton, The New York Obelisk, or How Cleopatra 's Needle Came to New York and What Happened When It Got There (New York 1993), numerous illustrations, original stiff wraps; D. Arnold, An Egyptian Bestiary (New York, Metropolitan Museum of Art Bulletin 1995), 95 illustrations, mostly in color, original stiff wraps; C. Aldred, Amenophis Redivivus (New York 1956), 9 illustrations, original wraps, bound together with other works, including D. von Bothmer, Two Etruscan Vases by the Paris Painter, in The Metropolitan Museum of Art Bulletin, Vol. XIV:5; N.E. Scott, Recent Additions to the Egyptian Collection (New York 1956), 32 illustrations, original wraps, bound together with other works, including C.K. Wilkinson, An Achaemenian Bronze Head, in The Metropolitan Museum of Art Bulletin, Vol. XV: 3; C. Aldred, Hair Styles and History (New York 1957), 10 illustrations, original wraps, bound together with other works, including N. Scott, Amun-hotpe the Magnificent, in The Metropolitan Museum of Art Bulletin, Vol. XV:6; L. Legrain, The Sumerian Art Shop (Philadelphia 1928), 53 illustrations, original stiff wraps, bound together with other articles in The Museum Journal: The Museum of the University of Pennsylvania, Vol. XIX:4; R. Dussaud, Les anciens arts de l 'Asie anterieure d 'apres les fouilles recentes (Paris 1931), 18 illustrations, original wraps, bound together with other works in La Revue de l 'Art. Revue de l 'Art Ancien et Moderne, Vol. LIX:322; C.K. Wilkinson, Assyrian and Persian Art (New York 1955), 22 illustrations, original wraps, bound together with other works in The Metropolitan Museum of Art Bulletin, Vol. XIII:7; P.O. Harper and P. Meyers, Silver Vessels of the Sasanian Period, Vol. I: Royal Imagery (New York 1981), 38 plates, 47 text illustrations, 7 color plates, original buckram; E.H. Peck, A Sasanian Silver Bowl (Detroit 1968), 5 illustrations, original stiff wraps, bound together with W.H. Peck, A Painted Coffin Wall from Ancient Egypt, and W.H. Peck, Luristan Bronzes in the Collection of the Detroit Institute of Arts, in Bulletin of the Detroit Institute of Arts, Vol. XLVII:2; E. Atil, Art of the Arab World (Washington, D.C., Freer Gallery of Art Exhibition Catalogue 1975), 80 color plates, original stiff wraps; M. Jenkins, Islamic Glass: A Brief History (New York 1986), numerous color plates and text illustrations, original stiff wraps; A. Schimmel and B. Rivolta, Islamic Calligraphy (New York 1992), 67 illustrations, mostly in color; P. J. Chelkowski, P.P. Soucek, and R. Ettinghausen, Mirror of the Invisible World. Tales from the Khamseh of Nizami (New York 1975), 25 color tipped-in plates, original buckram; O.W. Muscarella, Hasanlu 1964 (New York 1966), 38 illustrations, original wraps, bound together with other works, including P.O. Harper, Portrait of a King, in The Metropolitan Museum of Art Bulletin, Vol. XXV:3; E. Atil, Turkish Art of the Ottoman Period (Washington, D.C., Freer Gallery of Art Exhibition Catalogue 1973), 25 color plates, original stiff wraps; H. Jacquet-Gardou, A Statue of a Son of Karoma (New York 1966), 5 illustrations, original buckram, bound together with other works, including B.V. Bothmer, Additions to Collections: Gifts and Purchases, Long-term Loans, and P.F. Davidson, Excavations at Mendes in the Nile Delta, in The Brooklyn Museum Annual, Vol. VI; H. Jacquet-Gordon, Two Stelae of Horus-on-the-Crocodiles (New York 1966) 7 illustrations, original buckram, bound together with other works, including B. V. Bothmer, Additions to Collections, and Brooklyn 's Projects in Egypt, in The Brooklyn Museum Annual, Vol. VI.
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