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Consulter la cote et le prix de Alexis Preller; South African 1911-1975; Space Angel par Alexis Preller


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Alexis Preller (1911-1975)
À propos du lot n° 605
Alexis Preller; South African 1911-1975; Space Angel
Medium: oil and gesso on canvas
Dimensions : 111 by 121cm
Édition:
Signature:
Prix: 308 951.84 USD 🔓Accès libre sans carte bancaire.
Estimations(basse-haute) : 5000000 ZAR-7000000 ZAR 🔓Accès libre sans carte bancaire.
Strauss & Co, Salle de vente 🔓Accès libre sans carte bancaire.

Titre de la vente : Session Five: Evening Sale - 19th Century, Modern, Post-War and Contemporary Art 🔓Accès libre sans carte bancaire.
Date de la vente : 11/05/2020 🔓Accès libre sans carte bancaire.
Référence de l'enchère : R25H6DC5UI Online sale

Provenance : Strauss&Co, Johannesburg, 7 November 2016, lot 234. Private Collection.
Exhibited :
Literature :
Notes : Preller's image of a disembodied head in aquiline profile, with sumptuous lips and a large Egyptian-like eye, became the prototype for an extended, seminal series of works to which Space Angel firmly belongs. The left-facing profile, animated by the sleekest, almond eye and stylised teardrops, merges spectacularly with a fragment of turquoise and sunglow skull. A deep, empty eyesocket balances the composition, and the head is edged by a pharaonic beard and golden teeth. Preller's unique motif appeared initially in a number of related intaglio works such as Angel of the Lord (1969) and Angel King (1971), while in 1970 the same image was transfigured in Two Angels [Figure 1]. The latter work, a large, square oil painting of heads floating in space, remains in the Pretoria Art Museum. Space Angel shows Preller exploring the translation of this archaic or heiratic head into yet another technique; he used high relief gesso built up in a Tachist manner, and then over-painted to simulate an opulant and textured surface. The piece is testament to Preller's lifelong and ongoing process of working and reworking images that were significant to his iconographical vocabulary, with each version systematically attempting to release a new and nuanced reading of his original, iconic, and prototypical image.
Condition_report : Cracking, craquelure in areas, cleaned and restored. Professional report: The cracked areas as well as the bottom edge were consolidated with BEVA 371 (from the front and the reverse of the canvas). The painting was also cleaned with both Ammonium Hydroxide pH8 and white spirits. Tiny losses were in-painted with Aldehyde resin conservation paint.

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