Alexandra Karakashian; South African 1988-; Achromatic (Beneath) I, triptych ,2017
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Notes : Alexandra Karakashian's artistic exploration delves into thought-provoking concepts and materials, navigating the intricate connections between humanity and the environment. Her creations invite contemplation on how landscapes are perceived amidst evolving social, political, and ecological dialogues. The use of engine oil and salt in her art reflects a profound connection to her conceptual foundation, expressing deep concern for global ecological challenges and the exploitation of resources in Africa. Karakashian's work is further tied to her familial background as a descendant of the Armenian Genocide this further imbues her work with a contemplative atmosphere, acknowledging the burdens of destruction on people that paradoxically underpin global industrial progress. In her artistic process marked by pauses and influenced by chance, Karakashian challenges the strict dichotomies of 'black' and 'white' against a backdrop of 'neutral' tones. This not only alludes to South Africa's complex historical landscape but also mirrors her observations of ongoing racial discrimination in South Africa and beyond. Overall, her body of work serves as a platform for nuanced discussions involving environmental issues, geopolitical complexities, and societal dynamics, rooted authentically in her heritage, nationality, race, and culture. SMAC Gallery (2016) Ground, online, https://www.smacgallery.com/exhibitions-archive-3/ground, accessed 25 January 2024. This lot has been selected by Curatorial Voice: Azu Nwagbogu.
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