This inkjet print captures a powerful moment featuring Johnny Fortune inside Pollsmoor Maximum Security Prison. The artwork, part of Mikhael Subotzky's Die Vier Hoeke series, is characterized by its stark realism and emotional depth, reflecting the complexities of life within the prison system.
This artwork features an inkjet print on cotton rag paper showcasing shackles, symbolizing confinement and the harsh realities of life in Pollsmoor Maximum Security Prison. Created by South African artist Mikhael Subotzky, it is signed, dated, and numbered 2/9, reflecting themes of incarceration and societal issues.
The artwork 'The Therapist' by Mikhael Subotzky, created in 2017, showcases a blend of oil and ink on canvas. The piece, measuring 100 by 70 cm, likely features expressive brushwork and vibrant colors, reflecting themes of introspection and emotional depth. It is unframed and signed by the artist.
This artwork captures a panoramic view from Kensington, featuring the distinctive Ponte City building, a notable architectural landmark in South Africa. The inkjet print on photo rag enhances the vividness of the scene, inviting viewers to explore the urban landscape.
This artwork presents a panoramic view of Ponte City, a prominent skyscraper in Johannesburg, as seen from Donald Mackay Park. The piece, created using pigment inks on archival paper, emphasizes the architectural lines and urban landscape, reflecting the vibrant yet complex nature of South African city life.
Mikhael Subotzky's 'Boat 2' showcases an inkjet print on archival Dibond, uniquely enhanced by toughened glass that has been intentionally smashed by the artist. The piece measures 59.5 x 47.5 cm, framed to 60.5 x 48.5 x 3.5 cm, creating a dynamic interplay of fragility and strength.
This striking portrait features a young boy with expressive eyes, standing against a softly blurred background that suggests a humble interior. His faded tank top and the subtle play of light evoke a mood of contemplation and resilience. The photograph highlights themes of childhood and socio-economic conditions, showcasing a powerful narrative through its intimate composition.
This artwork features a donkey cart set against the backdrop of the Beaufort West rubbish dump, capturing the essence of South African life. The Lightjet C-Print technique enhances the vivid details and textures of the scene, emphasizing the contrast between the cart and the surrounding refuse.
This artwork captures a lively moment from the Fancy Dress Competition in Beaufort West, 2006. The Lightjet C-Print likely features participants in colorful and imaginative costumes, reflecting a festive atmosphere filled with joy and creativity. The dimensions suggest a large, striking presentation that draws viewers into the scene.
This Lightjet C-print artwork by Mikhael Subotzky captures Mr Roussouw from Beaufort West, showcasing a blend of modern photographic techniques on Fuji Crystal archive paper. The piece is framed and inscribed with the artist's details, emphasizing its significance as part of a limited edition.
Aerial perspective of Toekomsrus, capturing a sprawling settlement with rows of white-roofed structures set against a dry, earthy terrain. The composition highlights the geometric arrangement of the buildings and the desolate surroundings, evoking themes of isolation and community. The use of LightJet C-print enhances the clarity and detail of the scene.
This artwork features a donkey cart set against the backdrop of the Beaufort West rubbish dump, captured in a lightjet C-print on Fuji Crystal Archive Paper. The image likely conveys themes of resilience and the intersection of rural life with urban waste, showcasing the stark contrast between the cart and the surrounding debris.
This lightjet C-print by Mikhael Subotzky features a compelling scene from Beaufort West Prison, titled 'Tamatie.' The artwork captures the essence of the prison environment, likely showcasing elements of confinement and the human experience within that space. The piece is part of the 'Beaufort West' series, reflecting Subotzky's exploration of South African life and societal issues.
This artwork by Mikhael Subotzky is an inkjet print framed and mounted on Dibond, featuring toughened glass that has been deliberately smashed by the artist. The piece measures 98.5 by 98 cm without the frame and 101.5 by 101 by 4 cm with it. The reverse is inscribed with the artist's name and title, adding to its uniqueness.
This artwork captures members of the African Christian Church engaged in prayer on a hillside above Yeoville and Hillbrow in Johannesburg. The scene likely conveys a sense of community and spirituality, set against the urban backdrop of the city. The archival pigment ink technique emphasizes the details and textures of the moment.
This artwork by Mikhael Subotzky showcases a figure lying on a mattress, capturing a moment of rest or contemplation. The piece is created using pigment inks on archival paper, emphasizing the textures and details of the scene. It is signed, dated, and numbered 7/9, indicating its limited edition status.
Mikhael Subotzky's digital print 'Missing/Wanted' presents a compelling visual narrative, possibly blending elements of portraiture and text to explore themes of absence and identity. The large sheet size of 55.5 x 135 cm suggests a bold and impactful presentation, inviting viewers to engage with its layered meanings.
This artwork features a church group gathered in Yeoville, captured in an inkjet print mounted on Dibond. The piece, part of the Public Encounters series by Mikhael Subotzky, emphasizes themes of community and cultural identity, framed in a contemporary style. The dimensions suggest a bold visual presence.
This inkjet print on cotton rag paper captures the Tsunami Houses in Delft, part of the 'Umjiegwana' series by Mikhael Subotzky. The artwork likely portrays a unique architectural landscape, reflecting themes of resilience and community amidst urban challenges, with a focus on the intricate details of the houses and their surroundings.
This striking photograph captures two individuals in a maximum security prison setting, one holding a camera while the other gazes intently at the viewer. The cracked glass effect adds a layer of tension and fragility, reflecting themes of confinement and identity. The composition evokes a sense of intimacy and vulnerability, highlighting the complex emotions associated with life in prison.
This striking photograph depicts several inmates resting on narrow beds in a maximum-security prison cell. The overhead perspective highlights the cramped conditions and the intimate, vulnerable moments of the individuals. The composition evokes a sense of confinement and the harsh realities of prison life, using natural light to enhance the somber mood.
Mikhael Subotzky's self-portrait features the artist alongside a soccer team within the confines of Voorberg Prison. The artwork, created using archival pigment inks on Baryta fibre paper, likely captures a moment of camaraderie and resilience, reflecting the unique environment of the prison setting.
This panoramic inkjet print captures the reception area of Pollsmoor Maximum Security Prison, showcasing the stark and imposing architecture of the facility. The artwork, part of Mikhael Subotzky's 'Die Vier Hoeke' series, emphasizes themes of confinement and surveillance, with a focus on the prison's environment.
This inkjet print on cotton rag paper showcases shackles associated with Pollsmoor Max Prison, reflecting themes of confinement and the human condition. The artwork is part of Mikhael Subotzky's Die Vier Hoeke series, which explores the complexities of life within South Africa's prison system.
This digital print by Mikhael Subotzky captures the essence of Pollsmoor Maximum Security Prison, featuring a haunting portrayal of its interior. The artwork likely emphasizes the starkness of the environment, with a focus on the interplay of light and shadow, evoking a sense of confinement and the human experience within a prison setting.
This artwork by Mikhael Subotzky showcases an abstract composition created with J-lar tape, ink, and masking tape. The piece is signed with the artist's initials and dated, emphasizing its contemporary nature. The dimensions suggest a large-scale work that invites viewers to explore its intricate textures and forms.
This colour photographic print, titled 'Wye Film Still 3' and created by South African artist Mikhael Subotzky in 2016, showcases a contemporary scene that reflects the artist's unique perspective. The print is signed, dated, and numbered 1/5, emphasizing its limited edition status. The dimensions of the image are 22.5 by 30 cm, framed to 36.5 by 42 by 3 cm.
This signed color photographic print by South African artist Mikhael Subotzky, titled 'Wye Film Still 14', features a contemporary scene that reflects Subotzky's unique perspective on life in South Africa. The artwork is framed and measures 36.5 by 42 by 3 cm, with an image size of 22.5 by 30 cm, and is inscribed with the title and numbered 1/5 in pencil.
This colour photographic print by Mikhael Subotzky and Patrick Waterhouse features a striking view from Kensington, highlighting the iconic Ponte City in South Africa. The image likely portrays urban landscapes, architectural details, and the dynamic atmosphere of the area, rendered in rich colors and intricate details.
This unique polyptych by Mikhael Subotzky and Patrick Waterhouse consists of 84 archival pigment prints, showcasing various perspectives of Ponte City. The artwork spans an impressive overall dimension of 252.2 x 586 cm, inviting viewers to explore the intricate details and narratives within each framed piece.
This artwork captures a panoramic view of Ponte City, highlighting its distinctive cylindrical architecture set against the backdrop of the Yeoville Ridge. The image likely emphasizes the contrast between the building's structure and the surrounding urban environment, reflecting themes of community and isolation.
This artwork by Mikhael Subotzky features a lightjet C-print on Fuji Crystal archive paper, capturing a moment outside Toekomsrus, Beaufort West, in 2008. The image measures 82 by 98 cm, framed to 107 by 123 by 4 cm, and is inscribed with the artist's details and edition number on the reverse.
This artwork titled 'Prayer on Yeoville Ridge, Ponte City' features a striking scene likely capturing the essence of the urban landscape in Yeoville, South Africa. Created by artists Mikhael Subotzky and Patrick Waterhouse, it is an inkjet print mounted on Dibond, measuring 125.5 x 150 cm, and is part of a limited edition of five pieces.
This artwork likely presents a detailed view of Cell 508 in Pollsmoor Maximum Security Prison, showcasing the stark and confined environment typical of a prison cell. The dimensions suggest a panoramic perspective, emphasizing the length and narrowness of the space. The absence of color and medium may indicate a focus on the raw, unembellished reality of incarceration.
This artwork captures a sweeping view of Ponte City, a prominent high-rise building, from the vantage point of Yeoville Ridge. The C-print technique enhances the vivid details of the urban landscape, highlighting the interplay between architecture and the surrounding environment. The piece is flush-mounted to aluminium, giving it a modern, sleek presentation.
This limited edition 6" x 6" photograph by Mikhael Subotzky showcases a portrait of Joseph Dlamini, printed on Fuji Crystal Archival Matte paper. The print is signed on the verso and is in brand new condition, reflecting high-quality craftsmanship and attention to detail.
This C-print artwork by Mikhael Subotzky depicts a scene from Toekomsrus, Beaufort West, showcasing children engaged in playful activities with plastic materials. The vibrant colors and dynamic composition reflect the innocence and creativity of childhood, set against a backdrop that hints at the socio-economic context of the area.
This artwork titled 'Joe, Cape Town Foreshore' by Mikhael Subotzky is an inkjet print on cotton rag paper, likely capturing the dynamic urban landscape of Cape Town. The piece may feature architectural structures, cityscapes, and the interplay of light and shadow, reflecting the essence of the foreshore area.
This artwork is an inkjet print on cotton rag paper by South African artist Mikhael Subotzky, titled 'Joe, Cape Town Foreshore'. The piece, signed and dated 2005, captures a scene from Cape Town, showcasing the foreshore area. The dimensions are 55 by 77 cm excluding the frame, and 69.5 by 91.5 by 4 cm including the frame.
This artwork features a captivating view looking up the core of Ponte City, a notable skyscraper in Johannesburg. The photograph, created by Mikhael Subotzky and Patrick Waterhouse, emphasizes the architectural grandeur and urban atmosphere of the building, highlighting its unique cylindrical structure and the interplay of light and shadow within.
This photographic print by Mikhael Subotzky, titled 'Missing/Word Gesoek/Wanted', likely presents a compelling visual narrative that explores themes of absence and desire. The work, signed and dated 2005, is characterized by its large dimensions of 46 by 124cm, suggesting a dramatic presentation that engages viewers with its emotional depth.
This limited edition photograph by Mikhael Subotzky showcases a self-portrait that emphasizes the left eye, printed on Fuji Crystal Archival Matte paper. The print measures 6" x 6", with the image itself being 5.5" on the longest side. It is signed by the artist on the verso and is in brand new condition.
This artwork by Mikhael Subotzky captures a poignant moment during a strip search at Pollsmoor Maximum Security Prison, highlighting the harsh realities of life within South African prisons. The inkjet print, measuring 50 x 75 cm, reflects Subotzky's ongoing exploration of incarceration and its impact on society.
Strip Search, an inkjet print by Mikhael Subotzky, depicts a raw and intimate moment within Pollsmoor Maximum Security Prison. The artwork reflects themes of confinement and surveillance, likely showcasing the stark environment and emotional weight of the prison experience.
This inkjet print by Mikhael Subotzky features a scene from Pollsmoor Maximum Security Prison, part of the Die Vier Hoeke series. The artwork likely conveys themes of confinement and human experience, with a focus on stark contrasts in light and shadow, emphasizing the emotional weight of the prison environment. The piece is signed, dated, and numbered 2/9 in pencil along the bottom margin.
This artwork features a large, framed mirror that has been deliberately shattered by the artist, Mikhael Subotzky. The piece, titled 'Mirror, Beaufort West Prison,' explores themes of confinement and self-reflection, with the broken glass symbolizing disruption and fragmentation. The mirror is mounted to Dibond and encased in toughened glass, measuring 126.5 by 101.5 by 4 cm.
Mikhael Subotzky's 'Johnny Fortune' is an inkjet print that captures a compelling scene, likely rich in detail and emotion. Signed and dated in 2004, this artwork measures 47 by 70 cm, with a sheet size of 56 by 78 cm, presented unframed. The print is part of a limited edition of 60.
This artwork, titled 'Sally, Parkview' by Mikhael Subotzky, showcases an inkjet print that is framed and mounted on Dibond. The piece features toughened glass that has been intentionally smashed by the artist, adding a layer of intrigue and complexity to the visual experience. The dimensions suggest a substantial presence, making it a striking focal point.
This signed 6x6 photograph by Mikhael Subotzky showcases a vibrant scene of football in Uganda, reflecting the passion and energy of African sports culture. Printed on Fuji Crystal Archival Matte paper, the artwork is part of a limited edition, emphasizing its exclusivity and high-quality craftsmanship.
This artwork, 'Fuck Me' by South African artist Mikhael Subotzky, features a powerful photographic composition that captures the essence of Toekomsrus in Beaufort West, created in 2007. The piece is presented as a Lightjet C-print on Fuji Crystal Archive paper, showcasing Subotzky's unique perspective and storytelling through imagery.
This artwork by Mikhael Subotzky features a photographic representation of Beaufort West Prison, capturing the stark realities of incarceration. The piece is a light jet c-print mounted on Dibond, showcasing Subotzky's unique perspective on South African life. Signed and dated 2006, it is part of the Beaufort West Series.
This artwork by Mikhael Subotzky features a digital print capturing the stark and somber atmosphere of Pollsmoor Maximum Security Prison. The piece, created in 2004, likely showcases the prison's architecture and the emotional weight of incarceration, reflecting on themes of confinement and societal issues.
This artwork by Mikhael Subotzky, titled 'Mikhael Subotzky; Johnny Fortune,' likely delves into complex themes of identity, personal narrative, and social context. The piece may incorporate elements that reflect the artist's unique perspective and storytelling approach, capturing the essence of the subject in a thought-provoking manner.
This artwork features a striking portrait of a young South African woman, who was the runner-up in the Miss Teen Show Competition held in Beaufort West in 2007. The photograph, printed on high-quality Fuji Crystal Archive Paper, showcases her poised expression and the celebratory atmosphere of the event, reflecting themes of youth and beauty in contemporary South Africa.
This artwork features a striking lightjet c-print photograph of a young boy named Leon, positioned at the back of Beaufort West Hospital. The image likely conveys themes of vulnerability and the human condition, set against the stark backdrop of a hospital environment. The use of Fuji Crystal Archive paper enhances the visual depth and emotional resonance of the piece.
This inkjet print captures the interior of Cell 33 in Pollsmoor Maximum Security Prison, part of the Die Vier Hoeke Series. The artwork likely features stark contrasts and intricate details that reflect the harsh realities of prison life, printed on cotton rag paper in 2014. The dimensions emphasize the scale and impact of the piece.
Mikhael Subotzky's 2004 Voting Triptych captures the essence of South African democracy through a series of digital prints. The artwork likely features symbolic imagery related to voting, civic engagement, and the cultural landscape of South Africa, showcasing Subotzky's unique perspective as a young artist.
This artwork features a portrait of the runner-up from the Miss Teen Show Competition held in Beaufort West in 2006. The photograph captures the contestant holding her competition number, showcasing her expression and attire. The piece is a Lightjet C-print on Fuji Crystal Archive paper, signed by the artist, Mikhael Subotzky, and is part of a limited edition of 9.
This artwork by Mikhael Subotzky captures a moment of children engaging with plastic in Toekomsrus, Beaufort West. The lightjet C-print on Fuji Crystal Archive Paper showcases vibrant colors and a candid scene, reflecting the playful yet complex relationship with materials in contemporary South African life.
This signed lightjet print by South African artist Mikhael Subotzky features scenes from his film project 'Moses and Griffiths'. The artwork explores the narratives of Moses Lamani's tour of a historical camera obscura and Griffiths Sokuyeka's tour of the 1820 Settler's Monument, highlighting themes of history and storytelling.
This artwork by Mikhael Subotzky captures two individuals, Daniel and Joe, in the vibrant and historically rich District 6 of Cape Town. The digital print, created in 2005, is characterized by its detailed portrayal of the subjects against a backdrop that reflects the cultural essence of the area. The piece is signed and numbered, emphasizing its limited edition status.
This artwork features an inkjet print by Mikhael Subotzky, capturing the figure of Johnny Fortune within the confines of Pollsmoor Maximum Security Prison. The print, signed and dated 2004, measures 47 by 70 cm and is printed on cotton rag paper, showcasing a poignant moment in a stark environment.
This C-print artwork by Mikhael Subotzky, titled 'Ai 26'S Smoke Tik', captures a moment in Beaufort West from 2006. The piece, part of a limited edition of 9, is printed on archive paper, showcasing Subotzky's unique perspective and artistic vision.
This C-print artwork by Mikhael Subotzky depicts a break-in scene in Rustdene Township, Beaufort West, showcasing the raw and gritty reality of urban life. The photograph, part of a limited edition of 9, is printed on archive paper, emphasizing its artistic and archival quality.
This digital print by Mikhael Subotzky features a preacher delivering a sermon within the confines of Dwarsrivier Prison. The artwork reflects on themes of faith, hope, and the human spirit in a challenging environment. The piece is signed, dated 2004, and numbered 1/3, printed on high-quality cotton rag paper.
This artwork by Mikhael Subotzky features a striking pigment print capturing the essence of Beaufort West Prison. The piece, measuring 105 by 128.5 cm, presents a powerful visual narrative, likely exploring themes of confinement and the human experience within the prison system.
This artwork by Mikhael Subotzky features a photographic edition capturing a scene from Lavender Hill. The piece is framed and mounted on Dibond, with a unique smashed glass effect created by the artist. The dimensions are 82 by 54.5 cm, showcasing the artist's exploration of urban life and its complexities.
This limited edition 6" x 6" photograph by Mikhael Subotzky features a striking image from Pont City. The print is signed on the verso and crafted on Fuji Crystal Archival Matte paper, emphasizing its quality and artistic value. The image size is 5.5" on the longest side, making it a unique collectible.
This artwork features a signed inkjet print by Mikhael Subotzky, showcasing a portrait of Joseph Dlamini set against the backdrop of Matsho Tsmombeni Squatter Camp in South Africa. The piece is framed and measures 39 3/8 by 39 3/8 inches, capturing the essence of life in a squatter camp.
This artwork features a striking portrait of Lindiwe Mutoma, a female detective from Lusaka, Zambia. The inkjet print, created by Mikhael Subotzky in 2005, is framed and showcases the subject with a focus on her expression and attire, reflecting her role and environment. The piece is signed, dated, and part of a limited edition.
This artwork by Mikhael Subotzky showcases a blend of oil, acrylic, and ink on canvas, characterized by a mix of bold colors and dynamic brushstrokes. The piece, measuring 104 by 73 cm, reflects the artist's unique style and contemporary approach to abstract expression.
This artwork features a lively fancy dress competition at the Beaufort West Agricultural Show in 2006. The Lightjet C-Print captures the colorful costumes and joyful expressions of participants, showcasing the festive atmosphere of the event. The image is square, measuring 14 by 14cm, framed elegantly to enhance its presentation.
Mikhael Subotzky's 'Mr Roussouw, Beaufort West' is a captivating Lightjet C-print that likely showcases a scene from Beaufort West, characterized by rich detail and vibrant colors. The artwork, measuring 82 by 98 cm, is framed elegantly, enhancing its visual impact and inviting viewers to explore its narrative depth.
This artwork, 'Moses And Griffiths: Film Still 25' by Mikhael Subotzky, is an inkjet print capturing a cinematic moment. The piece is signed and inscribed, showcasing a limited edition of 1 of 15. The dimensions suggest a focus on detail and composition, typical of Subotzky's exploration of narrative and identity.
This artwork is an inkjet print on cotton rag paper by South African artist Mikhael Subotzky, titled 'Wye Film Still 21'. The piece, measuring 23.5 x 32.5 cm, is signed, dated, and numbered 3/5, with the title inscribed in pencil along the bottom margin. It captures a moment from the Wye film series, showcasing Subotzky's unique artistic vision.
This artwork by South African artist Mikhael Subotzky is a lightjet c-print on Fuji Crystal Archive paper, measuring 147 by 126 cm. It likely showcases provocative themes and vivid colors, characteristic of Subotzky's exploration of societal issues.
This digital print by Mikhael Subotzky features a stark representation of shackles, symbolizing confinement and the prison experience at Pollsmoor Maximum Security Prison. The artwork, created in 2004, is printed on cotton rag paper, emphasizing the gravity of its subject matter.
This photographic C-print by Mikhael Subotzky and Patrick Waterhouse features a panoramic view from Kensington, Ponte City, highlighting the intricate details of urban architecture. The image, measuring 105.5 by 131 cm, invites viewers to explore the complexities of the South African landscape and its architectural forms.
The artwork 'Johnny Fortune' by Mikhael Subotzky features a compelling composition that likely explores themes of identity and society. The dimensions of the piece suggest a large format, inviting viewers to engage deeply with its intricate details and emotional resonance.
This artwork by Mikhael Subotzky, created in 2007, is a lightjet C-print on Fujicolor Crystal archive paper. It measures 139 by 111cm without the frame and 144 by 116 by 3.5cm with the frame. The piece is signed and inscribed with the title in pencil, reflecting a contemporary South African aesthetic.
This digital print captures the stark and somber interior of Cell 33, located in the E2 section of Pollsmoor Maximum Security Prison. The artwork, created by Mikhael Subotzky in 2004, emphasizes the confinement and isolation inherent in prison life, rendered on high-quality cotton rag paper.
This artwork features a portrait of Michelle, a member of the Mallies household in Rustdene Township, part of the Beaufort West Series. The lightjet c-print showcases intimate details of her environment, reflecting the essence of everyday life in the township. The dimensions of the piece are 126 by 148 cm, emphasizing its large scale.
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