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Descubra la tasación y los precios de esta y más obras de arte africano en Africartmarket. Deborah Bell; South African 1957-; Custodians (Face Of Waters, Lady Of The Beasts, Hearer Of Cries, Upon This Rock) de Deborah Bell


 En línea
Deborah Bell nacido en 1957
Sobre el lote Lote N° 251
Deborah Bell; South African 1957-; Custodians (Face Of Waters, Lady Of The Beasts, Hearer Of Cries, Upon This Rock) ,2015
Medios: bronze with a silver brown patina on a steel base
Talla : height: between 73 and 75cm; 91,5cm including base; width: max 20cm; depth: max 16cm
Edición:
Firma:
Precio: 19 250.00 USD 🔓Sin tarjeta de crédito.
Estimación (baja/alta) : 350000 ZAR-450000 ZAR 🔓Sin tarjeta de crédito.
Strauss & Co, subastador 🔓Sin tarjeta de crédito.
,Lugar de venta : Johannesburg, Gauteng, ZA
Título de venta : Session Three: Monday Evening Sale 🔓Sin tarjeta de crédito.
Fecha de la venta : 27/07/2020 🔓Sin tarjeta de crédito.
Referencia de la subasta : GDWHVV18SY Online sale

Procedencia :
Exhibited : Everard Read, Johannesburg and Cape Town, Deborah Bell - Dreams of Immortality, 2015.
Literature : Everard Read (ed.) (2015) Deborah Bell - Dreams of Immortality, Johannesburg: Everard Read. Another cast from the edition illustrated in colour on pages 36 and 37.
Notas : The figures are interchangeable and freely mounted on the base. 'The more I thought about it, the more I realised that the search for stillness is at the core of my art and my life, it is the reason for my meditation and it is what I am searching for in any painting or sculpture I make whether it be a leaping horse or a single contemplative figure. When I reach that state of balanced stillness, then for me the work is finished … I want my images to stand as something complete, beyond time, to touch on eternity and immortality. I also recognise my need to work with substance - to transform self through matter and matter through self. To work with physical stuff and to be alert in the mind to find a terrible beauty, which I believe can serve as an intermediary between the physical and spiritual world and thus becomes its own means of transformation. I also use the act of making to access that part of the mind that is not really working out what to do next, but exists suspended, open to change and new possibilities.'1 1. Deborah Bell (2015) Deborah Bell: Dreams of Immortality, exhibition catalogue, Johannesburg: Everard Read, page 14.
Condition_report : Good. Recently cleaned and restored by professional conservator.

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