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Descubra la tasación y los precios de esta y más obras de arte africano en Africartmarket. Anthropomorphic Caryatid Vessel, 1964



Descripción : varied beige surface of low-fired clay with evidence of grass matrix, 2-pcs. (lid), cowrie shells, wasp nest on the right side, rest., inventory no. 104, base We know almost nothing about Senufo figural terracottas. In old field reports they are mentioned in connection with the sacred groves sinzanga. In 1908, Delafosse mentions rough clay representations of human figures ....which decorate several sacred groves, while Vendeix, describing the groves as they had been shortly after 1900 says, They were furnished with satues of effigies in red clay reprensenting all the totems of the family: buffalo, panthers, crocodiles, snakes, antelopes.... In the sacred groves sinzanga the last and most important stage of initiation into the Iô society took place, which is the most important socio-religious institution of the Senufo. Here, the male initiates learned the mythical and religious traditions, the secret knowledge of the society and were accepted into the Iô as now adult full members. The most impressive Senufo sculptures, whether made of wood or clay, are related to the rites of the Iô society. Published In: Goldwater, Robert, Senufo Sculpture from West Africa, New York, The Museum of Primitive Art, 1964, p.13, fig 6, Expo catalogue, Selections from the William W.Brill Collection of African Art, Milwaukee Public Museum, Wisconsin, 1969, p.13, fig. 14 AHDRC: 0074840 Continent: Africa
Precio: 0.00 USD 🔓Sin tarjeta de crédito.
Estimación (baja/alta) : 9000 EUR-15000 EUR 🔓Sin tarjeta de crédito.

Sobre el lote Lote N° 200
Título : Anthropomorphic Caryatid Vessel, ÉPOCA : 1964
Talla : H: 53,5 cm, H: 21,1 inch
Procedencia : Robert Stolper, New York, USA (1964) Stolper Galleries, Robert Stolper and Morton Lipkin, Amsterdam, The Netherlands (1965) William W. Brill (1918-2003), New York, USA (1965) By inheritance to his son (2003) Sotheby's, New York, 17 November 2006, Lot 13 Toby & Joey Tanenbaum, Toronto, Canada After a business trip to Nigeria in 1960, William Brill's great passion for collecting African art began. The majority of his collection was acquired between 1965 and 1969. With the travelling exhibition Selections from the William W. Brill Collection of African Art (1969), he presented 286 outstanding works of African art to the American public. This included the present, extremely rare terracotta object, which he had acquired at the Stolper Gallery in 1965. The exhibition and accompanying catalogue became formative for an entire generation of new collectors. The Brill Collection represents the spirit of a true collector - works of art brought together with a passionate energy and a tireless spirit. Brill lived with his objects, every corner of his house held African objects that he constantly rearranged and redecorated to enjoy them from a different angle, again and again.
Condition report : See description
Zemanek-Muenster, subastador, Würzburg, DE 🔓Sin tarjeta de crédito.
Título de venta : 97 Auction - Africa, Oceania, Pre-Columbia
Fecha de la venta : 06/11/2021 🔓Sin tarjeta de crédito.
Referencia de la subasta : Live Sale

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