Descubra la tasación y los precios de esta y más obras de arte africano en Africartmarket. A Selection of Ninety-Eight African Art Books, Fagg, William and

Descripción : Eliot Elisofon. The Sculpture of Africa. London: Thames & Hudson, 1958. 256 pp., 321 ills., maps.; Freyer, Bryna. Royal Benin Art in the Collection of the National Museum of African Art. Washington D.C.: National Museum of African Art, 1987. 63 pp., illustrated.; Kamer, Henri. The Authenticity of African Sculptures. Extrait de "Art D 'Afrique Noire" No. 12, December 1974. pp. 17-40, 9 figs.; New York. Sculpture from Africa in the Museum of Primitive Art. New York: Museum of Primitive Art, 1963. 32 pp., 28 pls.; Bordogna, Charles. African Legacy- A Cultural Heritage through Art. Tenafly: S.M.A. Fathers, 1990. 75 pp., 57 ills., figs.; Berns, Marla C. and Barbara Rubin Hudson. The Essential Gourd- Art and History in Northeastern Nigeria. Los Angeles: Museum of Cultural History, 1986. 190 pp., 151 ills.; Brincard, Marie-Therese. Beauty by Design- The Aesthetics of African Adornment. New York: The African-American Institute, 1984. 136 pp., illustrated.; Bay, Edna G. Asen: Iron Altars of the Fon People of Benin. Atlanta: Emory University Museum, 1985. 48 pp., illustrated.; San Diego. Values Made Visual. African Art from the Collection of Robert and Patricia Berg. San Diego: Mesa College Art Gallery, 1988. 36 pp., 21 pls.; Paris. Akan Fetish Gold. Henri Kamer. Paris, 1979. 66 pp., 30 pls.; New York. The Great Bieri. New York: Museum of Primitive Art, 1962. 4 ills., text.; Chicago. Pygmy Drawings; A Collection of Rare Drawings on Bark Cloth by the Mbuti Pygmies of the Ituri Forest of Zaire. Linda Einfeld Gallery. Chicago, 1980. Illustrated.; New York. African Beadwork- Traditional Symbols. Tambaran Gallery. New York, 1991. 53 pp., 24 c. pls.; New York. Masterpieces of the People 's Republic of the Congo. New York: The African-American Institute, 1980. 57 pp., 69 ills.; New York. Ancient Treasures in Terracotta of Mali and Ghana. New York: African-American Institute, 1981. 48 pp., illustrated.; New York. Robert Goldwater- A Memorial Exhibition. New York: Museum of Primitive Art, 1973. Illutrated.; New York. Senufo Sculpture from West Africa. New York: Museum of Primitive Art, 1973. 77 ills.; New York. Woman Eternal- The Female Figure in African Art. Tambaran Gallery. New York, 1991. 57 pp., 26 c. pls.; New York. The Art of Collecting African Art. New York: Center for African Art, 1988. 64 pp., 44 ills.; Vogel, Susan (Ed.). For Spirits and Kings: African Art from the Paul and Ruth Tishman Collection. New York: Metropolitan Museum of Art, 1981. 256 pp., illustrated, hard cover.; Wardwell, Allen. African Sculpture from the University Museum. Philadelphia: The University Museum, 1986. 151 pp., 72 ills.; Ross, Doran and Timothy F. Garrard (Editors). Akan Transformations- Problems in Ghanaian Art History. Los Angeles: The Museum of Cultural History, 1983. 112 pp., 139 ills.; Roy, Claude (texte). Le M 'Boueti des Mahongoue, Gabon. Paris: Jacques Kerchache, 1967. 80 pp., well illustrated.; Stockholm. Before Picasso- African Art in Swedish Collections. Stockholm: Liljevalchs Konsthall, 1988. 212 pp., profuse ills., many color, map.; Guenneguez, Andre and Afo. Centenaire de la Cote-d 'Ivoire 1887/1888-1988 en Cartes Postales. Abidjan, 1988. Hundreds of ills.; Geary, Christaud M. Images from Bamum; German Colonial Photography at the Court of King Njoya, Cameroon, West Africa. Washington, D.C.: The National Museum of Art, 1988. 151 pp., 88 figs.; Hersey, Irwin. African Tribal Art. Tokyo: Seibu Museum of Art, 1978. 8pp., 117 ills. Text Japanese/English.; Hempstead. Shapes of the Mind: African Art from Long Island Collections. Hempstead:Hofstra Museum, 1988. 31 pp., illustrated.; Huet, Michel, text by Jean-Louis Paudrat. The Dance, Art and Ritual of Africa. New York: Pantheon Books, 1978. 241 pp., 256 pls.; Imperato, Pascal J. The Cultural Heritage of Africa. Charute: Safari Museum Press, 1974. 47 pp., illustrated. Ndiaye, Francine. Signs of Power: The Mourtala Diop Collection, Nigeria-Cameroon. Sepia, 1994. Text in English and French.; New York. Cameroon Art and Life Interwoven. The May Weber Museum of Cultural Arts, Chicago, with L. Kahan Gallery. New York, 1988. 48 pp., illustrated.; London. Ekon Society Puppets: Sculptures for Social Criticism. Tribal Arts Gallery Two. London, 1977. 13 pp., illustrated.; New York. Two, Three, Four- Multiples in African Art. Muhlenberg College, Allentown, with L. Kahan Gallery. New York, 1987. 36 pp., 40 ills.; New York. Aaron Furman Gallery. New York, n.d. 11 ills.; Pasadena. Treasures of West African Art- The Victor Du Bois Collection. Baxter Art Gallery. Pasadena: California Institution of Technology, 1971. Well ill. catalogue. Ex libris Jane & Edward G. Robinson.; West Palm Beach. African Art- Nature, Man and Vital Force. Norton Gallery of Art. West Palm Beach, 1975. 40 pp., illustrated.; Washington D.C. The Language of African Art- A Guest Exhibition of the Museum of African Art at the Smithsonian Institution. Washington D.C., 1970. Numerous ills.; New York. African Masterpieces from the Collection of Issako Zango. I.Z. Timbe New York, 1979. 32 pp., illustrated.; New York. A Selected Portfolio of African Sculpture in the McNebar Collection. McNebar Gallery. New York, 19966. 50 pls.; Wilhelem, Raymonde. Le Guidargus de l 'Art Primitif: 1965-1985, 20 Ans d 'Art Primitif en Ventes Publiques. Val-d 'Oise, 1985. 300 pp., numerous ills.; Indianapolis. Selections from the Harrison Eiteljorg Collection of African Art. Leah Ransburg Art Gallery. Indianapolis, 1980. illustrated catalogue.; Gentis, Thierry. Traditional Art of Africa. An exhibition at the Haffenreffer Museum of Anthropology. Providence: Brown University, 1983. 12 pp., 12 ills., map.; Wieschhoff, H.A. The African Collections of the University Museum. University Museum Bulletin, Vol. 11, nos. 1-2. Philadelphia: University Museum, 1945. 76 pp., 26 ills.; Griaule, Marcel. Folk Art of Black Africa. The World 's Art Series. Paris/New York, 1950. 108 pp., illustrated.; Wittmer, Marcilene. Visual Diplomacy- The Art of the Cameroon Grasslands. Cambridge: Hurst Gallery, 1991. 32 pp., 30 ills.; New York. Sculpture from Thre African Tribes- Senufo, Baga and Dogon. New York: Museum of Primitive Art, 1959. 22 ills., text.; New York. Traditional Sculpture from Upper Volta- An Exhibition of Objects from New York Museums and Private Collections. New York: African-American Institute, 1979. 47 pp., 39 figs.; New York. Seating. Tribal Arts Gallery Two. New York, 1977. 11 pp., 6 pls.; London. Two: Aspects of the Doubled Image in African Art. Tribal Arts Gallery Two. London, 1976. 35 pp., ills., map.; Gebrands, A.A. Afrika: Kunst uit het Zwarte Werelddeel. Recklinghausen, 1967. 30 pp., 1115 pls.; Howe, Bruce. A Stone Age Site in Tangier. Papers of the Peabody Museum, Volume XXVIII, No.1. Cambridge: Peabody Museum, 1947. 32 pp. text, 8 figs.; Gottschalk, B. Dogon- Studienreihe "Africa Incognita". Meerbusch, 1987. 59 pp., 40 ills. Text also in French. Segy, L. A Sculpture from Mopti. Archiv fur Volkerkunde 16. Herausgegeben vom Verein Freunde der Volkerkunde 1014. Museum fur Volkerkunde Im Selbstverlag 1972. pp. 205-230, 2 pls.; Plass, Margaret. Seven Metals of Africa: Copper, Silver, Gold, Lead, Tin and Zinc. Philadelphia, 1959. Illustrated. Oxford. Art from the Guinea Coast. Oxford: Pitt Rivers Museum, 1965. 15 pp. text, 36 pp. ills., map.; Savary, G. Sculptures Africaines d 'un Collectionneur de Geneve. Geneva: Musee d 'Ethnographie, 1979. 64 pp., 27 ills.; Paris. Arts du Congo. Galerie Kamer. Paris, 1967. 14 ills., text.; Parsons. Masterpieces of Black African Art. Cambridge: Peabody Museum, 1969. Illustrated.; Sidoff, P.G. Art of the Congo: Function and Form in Masks and Figures. Milwaukee: Milwaukee Public Museum, 1974. 42 pp., 30 ills.; Segy, L. The Mask in African Dance. Reprint from The Negro Historical Bulletin, Vol. 14, No. 5, 1953. 6 pp.; Segy, L. Divers Aspects de l 'Etude de l 'Art Africain. Reprint from La Revue de Psychologie des Peuples, No. 2, 1953. 19 pp.; Segy, L. African Snake Symbolism. Reprint from Archivfur Volkerkunde, Band IX, 1954. 10 pp.; Segy, L. African Writing and Sculpture. Reprint from Journal of Human Relations, Winter Issue, 1953. 9 pp.; Segy, L. Circle-Dot Symbolic Sign on African Ivory Carvings. Reprint from Zaire, Vol. 7, No. 1, 1953. 20 pp., 21 pls.; Segy, L. Initiation Ceremony and African Sculptures. Reprint from The American Imago, Vol. 10 No. 1, 1953. 25 pp.; Segy, L. Toward a New Historical Concept on Negro Africa. Offprint from The Journal of Negro History, Vol. 38, No. 1, January, 1953. 12 pp.; Segy, L. African Art and Animism. Reprint from The Journal of Human Relations, Vol. II, No. 1, November, 1953. 11 pp.; Segy, L. African Sculpture and Cubism. Reprinted from Criticism, Vol. 4, No. 4, 1962. 29 pp., 14 pls.; Segy, L. African Names and Sculpture. Reprint from Acta Tropica, Vol. 10, No. 4, 1953. Basel, 1953. 21 pp., 8 pls.; Plass, M. African Negro Sculpture. University Bulletin Vol. 21, No. 4. Philadelphia: University of Pennsylvania, 1957. 76 pp., 65 ills., folding map.; Prague. Afrika: Fuhrer Durch Die Afrika Ausstellung, Des Naprestek-Museums, Prag. Prag, 1967. 52 pp., 46 ills.; Gottschalk, B. Bundu- Busch- teufel im Land der Mende. 2 Vols. Meerbusch, 1990. Vol. I: 204 pp., profuse ills. Sold by the Order of the Board of Trustees of The Art Institute of Chicago to Benefit the Acquisitions Fund Vol. II: 68 pp., French text to vol. I.; Radin, Paul. African Folktales and Sculpture. Bollingen eries XXXII. New York, 1953. 355 pp., 165 pls.; Preston, George N. African Art Masterpieces. New York: Hugh Lauter Levin Assoc./MacMillan, 1991. 120 pp., 48 c. pls., map.; New York. African Sculpture from the Collection of Jay C. Leff. New York: Museum of Primitive Art, 1964. 44 ills.; New York. African Sculpture from the Collection of Ernst and Ruth Anspach. New York: Museum of Primitive Art, 1964. Illustrated.; New York. The Clark and Frances Stillman Collection of Congolese Sculpture. New York: Museum of Primitive Art, 1966. 20 pp., illustrated.; Montclair. Man-African Images. Montclair State College, 1972. Illustrated.; Northern, Tamara. Art of the Cameroon Grasslands. Pace Gallery. New York, 1979. Illustrated.; Schamlenbach, Werner. African Art. New York, 1954. 176 pp., 131 ills., 16 c. pls.; Paris. Arts Connus et Arts Meconnus de l 'Afrique Noire. Collection Paul Tishman. Paris: Musee de l 'Homme, 1966. 150 pp., 134 ills., damaged- spine taped, interior fine.; Wahington, D.C. African Art in Washington Collections. Wasnigton, D.C.: Museum of African Art, 1972. 60 pp., illustrated.; Wahlman, Maude. Ceremonial Art of West Africa from the Victor du Bois Collection. East Lansing: Kresge Art Center Gallery, 1979. 58 pp., ill.; Wass, Betty and Barbara Murname. African textiles. Madison: Elvhjem Art Center, 1978. 40 pp., illustrated.; Plass, Margaret. African Tribal Sculpture. Philadelphia: University Museum, 1956. 57 pp., 41 pls.; Segy, L. The Future of African Art. Reprint from Midwest Journal, Vol. 4, No. 2, 1952. 14 pp.; Schaedler, Karl-Ferdinand. Magic with Images- The Magic Image in Relation to Witchcraft, Sorcery and Religion. Munich, 1984. 34 pp., 6 pls.; Schweeger-Hefel, Annemarie. Afrikanische Bronzen. Vienna, 1948. 34 pp., 48 pls.; Paulme, D. Les Sculptures de l 'Afrique Noire. Paris, 1956. 129 pp., 32 pls.; Waasmunster. Afrikaanse Beeldhouwkunst uit de Landen Ten Zuiden van de Sahara. Waasmunster: Galerij van de Akademie, 1983. 17 pp., illustrated. Only 150 copies printed.; Philadelphia. The Art of Goldweights- Words, Form and Meaning. Philadelphia: University Museum/Anko Foundation, 1977. 68 pp., 38 c. pls.; Parrinder, Geoffrey. African Mythology. Verona, 1967. 139 pp., numerous ills.; Glaze, Anita (Ed.). Aesthetics of the Sacred and the Cool: African Art from the Faletti Collection. Urbana-Champaign: Krannert Art Museum, 1990. 41 pp., well illustated.;Segy, L. African Sculpture. New York, 1958. 34 pp., 163 pls.; Jack, Anthony, photographed by Heini Schneebeli. Africa, Relics of the Colonial Era. London: Michael Graham- Stewart, 1991. 64 pp., profuse ills.; Yonkers. African Art in Weschester from Private Collections. Yonkers: Hudson River Museum, 1971. 36 pp., ill.
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