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Robert Bain (1911-1973)


Bronze wall hanging by Robert Bain featuring a green patina, titled 'Growth & Security', measuring 92 x 1 cm.
λ Robert Bain (British/South African 1911-1973), Growth & Security, Wall Hanging Texto original en inglés

This bronze wall hanging titled 'Growth & Security' by Robert Bain showcases a rich green patina, reflecting the artist's unique style. Measuring 92 x 1 cm, it combines organic forms that symbolize growth and stability, signed and dated 1950, embodying mid-20th century artistic sensibilities.

A framed artwork depicting birds collecting nectar, crafted in tin with a brushed bronze effect.
λ Robert Bain (British/South African 1911-1973), Birds Collecting The Nectar Texto original en inglés

This artwork features birds in a dynamic pose as they collect nectar, rendered in tin with a brushed bronze finish. The piece is elegantly mounted on a velvet backing and framed, showcasing the artist's skill. Signed and dated 1963, it reflects Robert Bain's unique style and mastery of materials.

Bronze sculpture titled 'Mischief' by Robert Bain, depicting a playful boy.
λ Robert Bain (British/South African 1911-1973), Mischief, Portrait Of A Boy Texto original en inglés

This bronze sculpture, 'Mischief' by Robert Bain, portrays a young boy in a playful pose, capturing a sense of joy and innocence. The figure is intricately detailed, showcasing Bain's skill in bronze work, and stands at a height of 20 cm. The artwork reflects Bain's artistic journey from Edinburgh to South Africa.

Bronze sculpture titled 'Mother and Child' by Robert Bain, depicting a tender embrace.
λ Robert Bain (British/South African 1911-1973), Mother And Child Texto original en inglés

This bronze sculpture, 'Mother and Child' by Robert Bain, features a serene representation of a mother holding her child, showcasing the bond between them. The piece, signed and dated 1968, reflects Bain's mastery in capturing emotion and form in bronze, highlighting the tenderness of maternal love.

Bronze wall hanging by Robert Bain featuring a green patina, titled 'Growth & Security', measuring 92 x 1 cm.
λ Robert Bain (British/South African 1911-1973), Growth & Security, Wall Hanging Texto original en inglés

This bronze wall hanging, titled 'Growth & Security' by Robert Bain, showcases a textured surface with a rich green patina. Measuring 92 x 1 cm, the artwork reflects themes of growth and stability, embodying the artist's unique style. Signed and dated 1950, it is a striking piece that combines form and meaning.

Bronze sculpture titled 'Madame Soullier' by Robert Bain, featuring a graceful female figure.
λ Robert Bain (British/South African 1911-1973), Madame Soullier Texto original en inglés

This bronze sculpture, 'Madame Soullier' by Robert Bain, depicts a graceful female figure, showcasing intricate details and a smooth finish. The piece measures 21 x 16.5 cm and is signed and dated August 1969. Bain, a notable British/South African artist, is known for his mastery in bronze, and this work reflects his artistic prowess.

Bronze sculpture of a mother holding her child, created by Robert Bain in 1968.
λ Robert Bain (British/South African 1911-1973), Mother And Child Texto original en inglés

This bronze sculpture titled 'Mother and Child' by Robert Bain depicts a tender moment between a mother and her child. The figures are stylized, showcasing the bond of motherhood through graceful lines and form. Signed and dated 1968, this piece reflects Bain's artistic mastery and emotional depth.

Bronze sculpture titled 'Mischief' depicting a playful boy by Robert Bain.
λ Robert Bain (British/South African 1911-1973), Mischief, Portrait Of A Boy Texto original en inglés

This bronze sculpture, 'Mischief' by Robert Bain, features a lively portrait of a young boy, capturing a moment of playful expression. The figure stands at 20cm tall, showcasing Bain's skill in bronze work and his ability to convey emotion through form.

Bronze sculpture titled 'Madame Soullier' by Robert Bain, featuring elegant lines and a graceful form.
λ Robert Bain (British/South African 1911-1973), Madame Soullier Texto original en inglés

This bronze sculpture, 'Madame Soullier' by Robert Bain, showcases a refined and elegant figure, characterized by smooth contours and a poised stance. Measuring 21 x 16.5 cm, the piece reflects Bain's mastery in bronze, capturing the essence of the subject with intricate detailing. Signed and dated August 1969, it represents Bain's artistic prominence.

Bronze sculpture of a young boy's head, capturing the likeness of Robbie, the artist's son.
λ Robert Bain (British/South African 1911-1973), Head Study Of Robbie, The Artist'S Son Texto original en inglés

A bronze sculpture depicting a head study of a young boy named Robbie, who is the son of artist Robert Bain. The piece showcases intricate details of the boy's facial features, reflecting a sense of warmth and intimacy. The sculpture stands 37 cm tall, emphasizing the craftsmanship and emotional connection between the artist and his subject.

Artwork depicting birds collecting nectar, crafted in tin with a brushed bronze effect.
λ Robert Bain (British/South African 1911-1973), Birds Collecting The Nectar Texto original en inglés

This artwork features birds in a dynamic scene of collecting nectar, rendered in tin with a brushed bronze effect. It is elegantly mounted on a velvet backing and framed, showcasing the artist's skill. Signed and dated 1963, it reflects Robert Bain's unique style and artistic vision.

Bronze sculpture titled 'Madame Soullier' by Robert Bain, featuring elegant contours and intricate details.
λ Robert Bain (British/South African 1911-1973), Madame Soullier Texto original en inglés

This bronze sculpture, 'Madame Soullier' by Robert Bain, showcases a graceful figure with refined features and flowing lines. Measuring 21 x 16.5 cm, the piece is signed and dated August 1969, reflecting Bain's mastery in capturing the essence of form and texture in bronze. The artwork highlights Bain's prominence in the art world and his South African connection.

A Carrara marble sculpture titled 'The Immaculate Conception' by Robert Bain, depicting a serene figure in a classical style.
λ Robert Bain (British/South African 1911-1973), The Imaculate Conception Texto original en inglés

The sculpture 'The Immaculate Conception' by Robert Bain is crafted from Carrara marble, showcasing a serene and elegant figure that embodies grace and purity. The work reflects Bain's classical training and artistic prowess, evident in the smooth, detailed carving and the figure's poised stance. Standing at 45cm tall, it is a testament to Bain's skill and artistic vision.

A Carrara marble sculpture titled 'The Immaculate Conception' by Robert Bain, depicting a serene religious figure.
λ Robert Bain (British/South African 1911-1973), The Imaculate Conception Texto original en inglés

The sculpture 'The Immaculate Conception' by Robert Bain is crafted from Carrara marble, showcasing a serene religious figure, likely representing the Virgin Mary. The work stands at 45cm tall and reflects Bain's mastery in marble carving, emphasizing smooth lines and delicate details. It embodies a sense of grace and spirituality, characteristic of Bain's artistic style.

A Carrara marble sculpture titled 'The Immaculate Conception' by Robert Bain, depicting a serene figure with flowing robes.
λ Robert Bain (British/South African 1911-1973), The Imaculate Conception Texto original en inglés

The sculpture 'The Immaculate Conception' by Robert Bain is crafted from Carrara marble, showcasing a graceful figure draped in flowing robes. The work reflects Bain's mastery of form and detail, embodying a sense of tranquility and reverence. Standing at 45cm, it highlights the artist's skill in marble carving, reminiscent of classical influences.

A wooden sculpture titled 'Transcendental Flight' by Robert Bain, featuring organic forms on a marble base.
λ Robert Bain (British/South African 1911-1973), Transcendental Flight Texto original en inglés

Transcendental Flight is a wooden sculpture by Robert Bain, characterized by flowing, organic shapes that suggest movement and elevation. The piece is mounted on a sturdy marble base, emphasizing its elegance and craftsmanship. Created in 1963, this artwork reflects Bain's artistic journey and his prominence in the art world.

Transcendental Flight by Robert Bain features an abstract wood sculpture mounted on a marble base.
λ Robert Bain (British/South African 1911-1973), Transcendental Flight Texto original en inglés

Transcendental Flight, a sculpture by Robert Bain, showcases an abstract design carved from wood, elegantly set atop a polished marble base. The piece embodies a sense of movement and elevation, reflecting Bain's artistic vision and mastery of materials.

Portrait en buste d'un homme distingué, âgé, assis, les cheveux gris clairsemés, assis à table, étiquette anglaise fragmentaire au dos du châssis, ici en partie lisible entre autres "Robert Baine - Died at ... Greenock Aug [August] 1849 ...", il s'agit probablement du commerçant et agent de la Bank of Scotland Robert Baine, décédé en 1849, qui était associé de la société "Messrs Baine and Johnstone" et, à partir de 1833, également premier prévôt [administrateur municipal suprême] et citoyen éminent de Greenock en Écosse, son tombeau, qui rappelle sa mémoire et celle de sa femme Jean Bannatyne et de leur fille Euphemia Harvey, est conservé au cimetière de Bow Hill à Greenock/Inverclyde, peinture de portrait peu pâteuse, huile sur toile, signée en bas à droite et datée de manière peu claire "J. Lamont Brodie pinxt. 1847", au dos du cadre, ancienne étiquette anglaise fragmentaire "...nby Bendall & Co Ltd. Depository, Cheltenham - MRS HM COX", faible craquelure, doublé à la cire et restauré, éclats de peinture, à restaurer, encadrement d'origine dans un magnifique cadre en stuc doré (un peu rest.bed.), dimensions du pli env. 92 x 71 cm. Informations sur l'artiste : peintre écossais de portraits, de paysages et de scènes historiques ainsi que poète et écrivain (env. 1824/1827 Londres/St. Dunstan à 1898 Londres/Wimbledon), enfance à Londres, formation de portraitiste, s'installe en Écosse dans les années 1840 et travaille à Greenock, retour en Angleterre en 1851, travaille à Londres de 1851 à 1971, séjourne régulièrement à Manchester dans les années 1850 et 1860, 1862-65 président de la Manchester Academy of Fine Arts, 1871 s'installe à Brighton, 1881 travaille à nouveau à Londres-Wimbledon, s'occupe des expositions de la Royal Academy of Arts à Londres de 1848 à 1881, probablement aussi séjour d'études en Italie, source : Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit, "The Dictionary of British Artists 1880-1940", AKL, Info de la Manchester Academy of Fine Arts et du McLean Museum and Art Gallery.

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Dreweatts 1759 Fine Sales, , , 14/04/2023
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