This bas-relief artwork showcases a complex arrangement of abstract Arabic calligraphy, rendered in white tones. The circular composition emphasizes the intricate textures created by the antenna cables and attachments, evoking a sense of depth and movement. The piece invites contemplation on the relationship between language, technology, and culture.
The tapestry 'J'Aime L'Amã©Rique' by Mounir Fatmi, measuring 90 x 60 cm, likely showcases intricate patterns and colors that reflect themes of love and cultural identity, possibly incorporating elements from Moroccan culture and American symbolism, creating a rich visual narrative.
A striking conceptual artwork depicting a male figure with a torso covered in a collage of magazines, symbolizing media consumption. He holds a device labeled 'BAYARD,' with wires connecting it to the collage, suggesting themes of communication and societal evolution. The composition evokes a sense of urgency and critique of modern media.
The artwork 'Arthur Luis Piza' by Mounir Fatmi is a paper construction measuring 50 x 40 cm. It showcases a unique composition that likely incorporates layered or folded paper techniques, creating an engaging visual experience. The piece is signed 'Piza' and annotated with an archive number on the back, hinting at its artistic significance.
This striking metal piece showcases Arabic calligraphy intricately carved into a circular form resembling a saw blade. The design combines traditional script with a modern, industrial aesthetic, creating a compelling contrast. The interplay of light on the polished surface enhances the depth of the calligraphy, evoking a sense of cultural heritage and contemporary artistry.
This mixed media artwork showcases a complex arrangement of geometric patterns in rich purple and gold hues. Central to the composition is a globe, surrounded by stylized representations of the Kaaba, emphasizing themes of spirituality and cultural identity. The use of various textures and materials adds depth, creating a visually engaging experience that invites contemplation.
This striking circular artwork combines metal and intricate Arabic calligraphy, arranged in a radial pattern that mimics the teeth of a saw blade. The reflective surface enhances the elegance of the script, creating a dialogue between tradition and modernity. The piece evokes a sense of cultural identity and craftsmanship.
This artwork presents a translucent skull silhouette, intricately designed with patterns that evoke brain circuitry. The composition merges themes of life and death, creating a thought-provoking visual dialogue. The subtle use of light and shadow enhances the ethereal quality, inviting viewers to explore the relationship between knowledge and mortality.
This bas-relief artwork showcases elegant Arabic calligraphy intertwined with intricate floral designs, crafted from antenna cables and attachments. The composition exudes a sense of depth and texture, inviting viewers to explore the relationship between language and form. The subtle interplay of light and shadow enhances the delicate details, creating a contemplative mood.
A translucent sculpture depicting a skull, intricately adorned with Arabic calligraphy that intertwines with the form. The work explores themes of knowledge, culture, and mortality, creating a contemplative mood. The delicate balance of light and shadow enhances the ethereal quality of the piece, inviting viewers to reflect on the relationship between language and identity.
This bas-relief artwork showcases elaborate Arabic calligraphy, intricately formed using antenna cables and ties. The composition features a fluid and organic design, evoking a sense of movement and depth. The monochromatic palette enhances the textural quality of the materials, inviting viewers to explore the relationship between language and form.
This bas-relief artwork showcases a stylized representation of Arabic calligraphy, elegantly crafted in a flowing design. The piece is predominantly white, creating a sense of purity and simplicity. The intricate details invite viewers to explore the nuances of the script, reflecting themes of communication and cultural identity.
This unique artwork by Mounir Fatmi features an extensive installation composed of 420 VHS video cassettes, creating a striking visual impact. The dimensions of the piece are 81 1/2 x 155 1/2 x 1 inches, emphasizing its large scale and the intricate arrangement of the cassettes, which may evoke themes of nostalgia and the evolution of media.
This striking gouache artwork showcases a figure in mid-stride, characterized by elongated limbs and fiery orange wings that contrast against a deep blue background. The composition evokes a sense of movement and energy, with subtle celestial elements like stars enhancing the dreamlike quality. The use of color and form suggests themes of transformation and freedom.
This circular artwork, titled 'The Machinery' by Moroccan artist Mounir Fatmi, showcases a striking use of black paint on steel. Measuring 31½ inches in diameter, it is part of a limited series of five, with this piece being number two. The work reflects a contemporary aesthetic, emphasizing industrial materials and a minimalist approach.
This artwork by Mounir Fatmi showcases a composition of antenna cables and cable holders arranged on a textured gesso board. The piece, signed and dated 2007, emphasizes the interplay of industrial materials and artistic expression, reflecting a modern aesthetic. Measuring 159 by 129 cm, it invites viewers to explore themes of communication and technology.
Mounir Fatmi's 'Mixology' is an offset print artwork from 2011, showcasing a dynamic design on a record sleeve and vinyl. The piece is signed and numbered 45/50, measuring 8 1/8 x 8 1/8 inches. The artwork likely features abstract or contemporary elements, reflecting Fatmi's unique artistic style.
The Blinding Light, a 2013 work by Mounir Fatmi, showcases a chromogenic print that likely explores themes of illumination and perception. The piece is signed and numbered on the back, indicating its limited edition status. It measures 45 x 67 cm and is part of a private collection in Strasbourg.
This diptych artwork titled 'Father's Carpet' by Mounir Fatmi showcases vibrant and intricate designs painted on two prayer rugs. The piece, signed and dated in 2009, reflects a blend of cultural heritage and contemporary artistic expression, measuring 145 x 95 cm.
This artwork, titled 'Mounir Fatmi Né En 1970 Hard Head - 2008 Miroir Sablé Par Le Dos,' showcases a sandblasted mirror with a distinctive texture. It is signed, dated, and numbered 4/50 on the back, presented in its original box. The piece measures 63 cm in height and 56 cm in width, reflecting Fatmi's contemporary artistic exploration.
Mounir Fatmi's 'Discothèque Snob' is a contemporary C-print inkjet artwork characterized by its vibrant colors and abstract geometric forms. The piece, produced on baryté paper, likely explores themes of modernity and cultural commentary, presented in a limited edition of five.
This artwork by Mounir Fatmi features coaxial antenna cables arranged within a Plexiglas frame, measuring 63 x 47 1/4 inches. The piece, executed in 2012, combines industrial materials in a contemporary format, reflecting themes of communication and technology.
Mounir Fatmi's artwork 'Evolution ou la mort' is a unique C-print on canvas, measuring 29 1/8 x 22¼ inches. Created in 2007, it reflects deep themes of evolution and mortality, likely incorporating symbolic imagery and a striking visual narrative. The piece is dedicated to Marie-Céline, highlighting its personal significance.
This unique piece titled 'L'Année Zéro' by Mounir Fatmi showcases coaxial antenna cables creatively arranged beneath a sheet of plexiglass. The work is signed, dated, and numbered on the verso, highlighting its exclusivity as part of a series of nine unique pieces. The dimensions suggest a significant presence, making it a striking installation.
This artwork features 30 hand-painted steel saw blades, each uniquely designed and varying in size, with the largest measuring 60 cm in diameter and the smallest at 13 cm. Each blade is signed, dated, and numbered on the back, reflecting the artist Mounir Fatmi's distinctive style. The piece is part of a private collection and has been exhibited in notable art venues.
Mounir Fatmi's artwork 'Hard Head' from 2008 is a sandblasted mirror that reflects a modern aesthetic. The piece is signed, dated, and part of a limited edition of 50, with this specific piece numbered 7/50. The work is characterized by its sleek surface and minimalistic design, emphasizing the interplay of reflection and form.
This contemporary piece features a stylized skull with a detailed interior showcasing intricate calligraphic patterns that symbolize thought and culture. The monochrome design contrasts sharply against a dark background, creating a striking visual impact. The artwork explores themes of identity and the interplay between life and death, inviting viewers to reflect on the complexities of the human mind.
Mounir Fatmi's artwork 'Mixology' from 2011 showcases an offset print on a record sleeve and vinyl, measuring 20.5 x 20.5 cm. The piece is signed and numbered 40/50, indicating its limited edition status. The design likely incorporates abstract or contemporary elements, reflecting Fatmi's unique artistic style.
This artwork features a circular composition made from coaxial antenna cables, elegantly displayed under a sheet of plexiglass. The piece is signed and dated by the artist, Mounir Fatmi, on the reverse side. The circular form, with a diameter of 70 cm, suggests a connection to themes of communication and technology.
This artwork titled 'Hard-head' by Mounir Fatmi is an etched mirror measuring 40 x 56 cm. Created in 2008, it showcases intricate patterns and reflective surfaces that invite viewers to engage with their own reflections and the surrounding environment. It is part of a limited edition of fifty, with this piece being number four.
This striking monochromatic digital print features a close-up of a hand gripping a sharp, elongated object, creating a sense of tension and power. The artwork's stark contrasts highlight the textures of the skin and the object, evoking themes of struggle and resilience. The composition draws the viewer's attention to the interplay of light and shadow, enhancing the emotional impact.
This artwork titled 'Guilty' by Mounir Fatmi incorporates antenna cables and cable holders combined with gesso on a large panel. The piece is signed, dated, and numbered on the reverse, showcasing a contemporary approach to mixed media art. The dimensions suggest a significant presence, inviting viewers to explore its textures and materials.
Presumed Innocent is an abstract artwork by Mounir Fatmi, created in 2007. It combines antenna cables and cable holders with gesso on board, resulting in a textured composition that invites contemplation on themes of innocence and technology. The piece measures 163.2 x 123 cm and is part of a limited edition of five.
This sérigraphie artwork titled 'God Is Dead By Nietzsche - Nietzsche Is Dead By God' by Mounir Fatmi features a striking visual representation of the philosophical themes of existence and the interplay between divinity and mortality. The piece is signed, dated, and numbered 16/100, suggesting a limited edition. Its dimensions are 60 x 40 cm.
This artwork by Mounir Fatmi consists of a collage of prayer rugs arranged on a linen canvas, presented in an artist's frame. The piece is divided into three sections, showcasing intricate patterns and textures typical of traditional prayer rugs, creating a dialogue between cultural heritage and contemporary art.
This artwork by Mounir Fatmi consists of a wood panel adorned with a series of coaxial antenna cables. The piece is part of a limited series of five, showcasing a unique interplay between technology and art. The dimensions suggest a large-scale presentation, emphasizing the intricate arrangement of the cables.
This artwork features a collection of 30 unique hand-painted steel saw blades, each varying in diameter from 5 1/8 inches to 23 5/8 inches. The blades are artistically designed, reflecting Mounir Fatmi's distinctive style. Created in 2010, this installation is part of a series of five unique works, emphasizing craftsmanship and creativity.
Mounir Fatmi's 'Hard Head' (2006) is a signed and numbered silkscreen print, measuring 80 x 120 cm. The artwork likely presents a dynamic composition with bold colors and intricate designs, reflecting the artist's unique style and thematic exploration. The piece is framed, enhancing its visual impact.
Kissing Circle #1 features a unique circular design created with coaxial antenna cables, artistically arranged on a plywood base. The piece is enclosed in a transparent plexiglass box, emphasizing the contrast between the industrial materials and the clean presentation. The dimensions suggest a substantial yet intimate artwork.
This artwork by Mounir Fatmi features a striking composition created with acrylic paint and a collage of electrical cables, mounted on a painted wood panel. The dimensions suggest a large, bold presence, likely combining abstract elements with a commentary on technology and modernity.
This artwork by Mounir Fatmi showcases coaxial antenna cables intricately arranged in circular formations, complemented by cable holders and gesso on a large board. The composition emphasizes the interplay of technology and art, creating a visually striking piece that invites contemplation.
This artwork titled 'Hard-head' by Mounir Fatmi is an etched mirror measuring 40 x 56 cm. Created in 2008, it showcases intricate etchings that play with light and reflection, creating a dynamic visual experience. The piece is part of a limited edition of fifty, with this being number four.
'Les monuments' is an inkjet print by Mounir Fatmi, measuring 660 x 1180 mm, framed and part of a limited edition of 100 copies, specifically number 7. The artwork likely features abstract or conceptual elements, reflecting themes of architecture or memory.
This artwork features a striking arrangement of signed VHS tapes, each labeled with the title 'Propaganda.' The tapes are likely presented in a visually engaging manner, emphasizing the contrast between the medium of video and the traditional concept of propaganda. The work, created by Mounir Fatmi in 2020, invites viewers to reflect on the impact of media on society.
This artwork, titled 'L’Union Impossible' by Mounir Fatmi, showcases intricate Arabic calligraphy crafted from steel, intertwined with elements of a Hebrew typewriter. The piece, measuring 59 x 70 x 30 cm, represents a dialogue between cultures, emphasizing the theme of union amidst diversity. It is part of a limited edition of five.
This artwork titled 'Guilty' by Mounir Fatmi incorporates antenna cables and cable holders arranged on a gesso-coated panel. The piece is signed, dated, and numbered on the reverse, showcasing a contemporary exploration of materials and their implications. The dimensions suggest a large-scale presence, inviting viewers to engage with its texture and form.
This artwork by Mounir Fatmi showcases a collection of Rubik's Cubes, intricately painted with acrylics, housed within a transparent Plexiglas structure. The piece, titled 'Casse-Tête Pour Musulman Modéré,' invites viewers to contemplate the complexities of identity and moderation within the Islamic faith, using the playful yet challenging nature of the Rubik's Cube as a metaphor.
This artwork by Mounir Fatmi consists of an intricate assembly of books bound together with rubber bands, complemented by wooden elements. The piece, measuring 68.5 by 150 by 90 cm, invites viewers to contemplate the relationship between literature and physical materials in a contemporary context.
This artwork, titled 'Mounir Fatmi Né En 1970 J'Aime L'Amérique', showcases intricate embroidery on fabric, highlighting the phrase 'J'Aime L'Amérique'. Signed and numbered, it reflects a blend of cultural commentary and textile art, measuring 60 cm in height and 90 cm in width.
The artwork 'The Blinding Light' by Mounir Fatmi features an inkjet print on paper, likely exploring themes of illumination and obscurity. Signed and numbered, this piece is part of a limited edition and was exhibited in Marrakech. The composition may include contrasting light and dark elements, reflecting the title's concept.
Ranking Global de Arte Contemporáneo2016 18th/100
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