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Brian Bradshaw (1923-2016)
* Hardie (Martin, 1875-1952). A Picardy Plough, etching, signed in pencil to lower margin, plate size 125 x 175 mm, sheet size 190 x 240 mm, together with Hall (Oliver, 1869-1957), Seaside Castle, & Trees in Bardsea Park, together two etchings, each signed in pencil, plate size 150 x 213mm and 100 x 140mm respectively, both with wide margins, tab-mounted to top edge, plus Short (Frank), French coast scene, b&w aquatint by Frank Short after R. P. Bonington, signed, plate size 80 x 148 mm, and other various etchings, including Frank Short, Wrought Nails, Halesowen, signed in pencil, two unsigned etchings by William Strang, The Swollen Stream by John Finnie, with stamped signature, an unsigned etching by Jacomb-Hood, entitled L'Abreuvoir, Paris, two modern etchings by Brian Bradshaw and E. Fell, etc., mostly with card mounts. (15)
BRISTOWE, A. et al. Kim Lieberman : Blood Relatives. Publ. Camouflage Art, 2000 ***** thick paperback. GOLDBERG, RL. & DOEPEL, R. Kim Lieberman : Every Interaction Interrupts the Future. Publ. ??, ***** thick paperback cat. COMBRINK, L. et al. Philip Badenhorst. Publ. Privately? **** glossy paperback. O'TOOLE, S. Truths Revealed - John Meyer. Publ. Everard Read Gallery, 2007 **** thick paperback. SHIELDS, C. * Brian Bradshaw. Publ. E. Read Gallery, 1999 ***** glossy paperback. Signed - artist, August 2000.
Brian Bradshaw (1923-), Girl Making Bed, signed, with gallery label - 'Crane Kalman' on verso, charcoal, 55 x 37.5cm., 21.5 x 14.75in. EXHIBITED: Walker Gallery, Bond Street, W1, March 24th, 1960. * Studied at Bolton and Manchester Schools of Art, at the Royal College of Art through a scholarship, 1948-51, then at the British School in Rome for two years. Bradshaw exhibited at the Royal Academy, Royal Society of Painter-Etchers, with Liverpool Academy of Fine Arts and frequently at the Manchester Academy, as well as Crane Gallery, Manchester and elsewhere. He was one of the painters contributing to a new post-war Lancashire realist school.
Brian Bradshaw (1923- ) AMAM, THE EMANATIONS signed, marked with the artist's name and title on a label on the reverse 91 by 76cm Donated by The Everard Read Gallery, Johannesburg. A painter of landscapes, seascapes, figures, portraits, genre, still life, animals and abstract pictures. Works in oil, watercolour, gouache, ink, wash, pencil and charcoal. Exhibitions: He has participated in numerous group exhibitions from 1949 in the UK, South Africa, Zimbabwe, Italy, Belgium and Australia, 1952 Salford, UK, First of over forty solo exhibitions held in the UK, the USA, South Africa, Zimbabwe and Australia, 1964 Quadrennial exhibition. Represented: Art Galleries in Manchester, Liverpool, Bolton, Salford, Rutherston, Whitworth, Ashmolean Museum, Oxford, Blackburn, Tillotson and Bangor in the UK, Johannesburg Art Gallery, King George VI Art Gallery, National Gallery Harare, Pietersburg Civic Collection, SABC Collection, University of the Witwatersrand, University of the Orange Free State Collection, Union Bank of Switzerland and ABSA Ltd.
Abbe (Solomon van, 1883-1955). Barrister at Work, etching with drypoint, signed and numbered 18/50, plate size 26 x 26cm (10.25 x 10.25ins), framed and glazed, together with Short (Sir Frank, 1857-1945), A South Coast Road, etching, signed in pencil, plate size 147 x 267mm (5.75 x 10.5ins), framed and glazed, plus Bradshaw (Brian, 1923-), Revolutionaire, drypoint etching, signed and titled in pencil to lower margin, 24.5 x 36cm (9.5 x 14ins), framed and glazed (3)
Brian Bradshaw, (b.1923), (ARTIST'S RESALE RIGHT) Sheep on Moor signed, oil on board, variously inscribed verso, to include title, artist's address at Belmont, near Bolton, and numbered 27, 52 x 76cm Bradshaw was born in Bolton, Lancashire and was a student of the Bolton and Manchester Schools of Art, going on to the Royal College of Art. He now divides his time between the North of England and South Africa.